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Advocacy group wants to see more Asian dancers on the stage, and more Asian choreographers on the program

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Advocacy group wants to see more Asian dancers on the stage, and more Asian choreographers on the program
By Anying GuoThe Washington Post
Erin Baiano
Phil Chan and Georgina Pazcoguin, the founders of Final Bow for Yellowface, an organization dedicated to eliminating offensive Asian stereotypes in dance, had been working on their virtual choreography festival for months when something suddenly shifted their focus: a shooting in Atlanta that left eight people dead, six of them Asian.
The pair knew they had to respond, pulling people in their Asian creative community together to air fears and unload the emotional baggage from a year of increased hate crimes against Asians across the country. ....

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Asian dance festival '10,000 Dream' to spotlight choreographers

Final Bow for Yellowface’s “10,000 Dreams” virtual festival focuses on promoting the work of marginalized choreographers and holding dance companies accountable. ....

New York , United States , France General , George Balanchine , Peter Martins , Le Corsaire , Brinda Guha , Stephen Nakagawa , Peter Boal , Virtual Choreography Festival , New York City Ballet , City Ballet , Final Bow , Paris Opera Ballet , Asian American , Pacific Islander Heritage Month , Dana Tai Soon Burgess , Yin Yue , Norbert De La Cruz , Pacific Northwest Ballet , Washington Ballet , புதியது யார்க் , ஒன்றுபட்டது மாநிலங்களில் , பிரான்ஸ் ஜநரல் , பீட்டர் மார்டின்கள் , பிரிண்டா குஹா ,

Advocacy group wants to see more Asian dancers on the stage, and more Asian choreographers on the program

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Advocacy group wants to see more Asian dancers on the stage, and more Asian choreographers on the program
Anying Guo, The Washington Post
May 2, 2021
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1of3Phil Chan and Georgina Pazcoguin, the founders of Final Bow for Yellowface.Erin BaianoShow MoreShow Less
2of3Brinda Guha, a choreographer featured in Final Bow for Yellowface s 10,000 Dreams Virtual Choreography Festival. (Lukas van der Fecht/LVDFLukas van der Fecht/LVDFShow MoreShow Less
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Phil Chan and Georgina Pazcoguin, the founders of Final Bow for Yellowface, an organization dedicated to eliminating offensive Asian stereotypes in dance, had been working on their virtual choreography festival for months when something suddenly shifted their focus: a shooting in Atlanta that left eight people dead, six of them Asian. ....

New York , United States , France General , George Balanchine , Peter Martins , Le Corsaire , Brinda Guha , Stephen Nakagawa , Peter Boal , Virtual Choreography Festival , New York City Ballet , City Ballet , Final Bow , Paris Opera Ballet , Asian American , Pacific Islander Heritage Month , Dana Tai Soon Burgess , Yin Yue , Norbert De La Cruz , Pacific Northwest Ballet , Washington Ballet , Phil Chan , Georgina Pazcoguin , Peter Boal , Stephen Nakagawa , George Balanchine ,

Bridge Street Theatre 2021 Winter Dance Residencies Continue with GLITCH

Bridge Street Theatre 2021 Winter Dance Residencies Continue with GLITCH
“Glitch” was originally commissioned by the “Works & Process” program at the Guggenheim Museum in NYC.by BWW News Desk
British artist, filmmaker, writer, and queer activist Derek Jarman s memoir Chroma , a meditation on the color spectrum written and published during the AIDS crisis, will serve as the point of departure for Glitch , the latest work-in-process in Bridge Street Theatre s ongoing Winter Dance Residency Initiative. Jarman s work also serves as a model for a collective process that will integrate performance, film, and visual art.
Glitch was originally commissioned by the Works & Process program at the Guggenheim Museum in NYC. Choreographer Norbert de la Cruz III has recently been developing the piece on dancers Adrian Danchig-Waring and Joseph Gordon (with painter Virginia Wagner and filmmaker Kristin Sztyk collaborating to create the visual environment) during a just- ....

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Aspen Santa Fe Ballet to dissolve company, launch fund to support dance

An Aspen Santa Fe Ballet rehearsal in pre-pandemic times (Aspen Times file)
A dress rehearsal for the premiere of a Cherice Barton ballet in 2017 (Aspen Times file)
Aspen Santa Fe executive director Jean-Philippe Malaty and executive director Tom Mossbrucker (Michele Cardamone/Courtesy photo)
The School of the Aspen Santa Fe Ballet (Sharen Bradford/courtesy photo)
Aspen Santa Fe Ballet has dissolved its locally based dance company and will not return after the pandemic, ending a 25-year run during which the organization toured the world to wide acclaim and became an unlikely trendsetter for contemporary dance both on-stage and off.
The nonprofit’s directors cited the novel coronavirus pandemic’s shutdown of the performing arts over the past year and pre-existing concerns about the economic sustainability of mid-sized touring companies as reasons for the decision. ....

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