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Carla Gannis’ “The Garden of Emoji Delights” would surely be Bosch-approved. | Courtesy Art Vault
Help keep local journalism fighting for you. Donate today to Friends of the Reporter. 12:00 AM With countless cultural institutions struggling to maintain relevance and engagement during the great COVID-19 lockdowns of 2020, the Carl & Marilyn Thoma Foundation did the seemingly impossible in late April, it expanded its public presence in Santa Fe from a small house just off Canyon Road (the aptly dubbed Art House) to a sprawling 3,500-square-foot exhibition space in the Railyard named (540 S Guadalupe St., 428-0681). Already a longtime supporter of arts, artists and those who consume the arts, the foundation’s move couldn’t have come at a better time. With NFTs dominating current arts conversations and museums shifting more toward virtual offerings, Art Vault’s marriage of traditional fine arts, digital works, film, sculpture and all points in between feels both
Hardridge’s latest work “Unbridled” is on view at Santa Fe’s Blue Rain Gallery.
The artist grew up in central Oklahoma surrounded by the artistic traditions of his culture. His formal training includes a fine arts degree in illustration and painting from the Savannah College of Art and Design in Georgia. Later studies at France’s Nadaï Verdon Atelier of Decorative Arts emphasized harmony and composition.
Hardridge once painted in a very traditional, muted style until the 2014 death of his father triggered a seismic stylistic change.
“I was going through a transitional period in painting,” he said in a telephone interview from Knoxville, Tennessee. “I was studying the beadwork and trying to put together work representing loss and resistance at the same time, and the narrative of Southeast Native removal from Alabama to Oklahoma.”
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