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Arthur Jafa, Love Is The Message, The Message Is Death, video still, 2016. Photo : courtesy of the artist & Gladstone Gallery, New York/Brussels
Nari Ward, Peace Keeper, 1995, installation view, Grief and Grievance: Art and Mourning in America, New Museum, New York, 2021. Photo : Dario Lasagni, courtesy of the New Museum, New York
Dawoud Bey, Fred Stewart II and Tyler Collins, from the series “The Birmingham Project”, 2012. Photo : courtesy of the artist, Rena Bransten Gallery, San Francisco & Rennie Collection, Vancouver
Kerry James Marshall, Untitled (policeman), 2015. Photo : courtesy of the artist & Jack Shainman Gallery, New York
Ellen Gallagher, Dew Breaker, 2015. Photo : courtesy of the artist and Hauser & Wirth
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‘There must be two Americas,’ wrote Mark Twain in 1901. ‘[O]ne that sets the captive free, and one that takes a once-captive’s new freedom away from him, and picks a quarrel with him with nothing to found it on; then kills him to get his land.’ The quote is from Twain’s essay, ‘To the Person Sitting in Darkness’, in which the writer condemns Western imperialism in southeast Asia. The artist Stephanie Syjuco borrowed Twain’s title for her 2019 work: a flag for the then-US territory of the Philippines as described by Twain, resembling the American design but with ‘white stripes painted black and the stars replaced by the skull and cross-bones’. –
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