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The National Gallery of Art's Branding System By Michael Gericke and Michael Bierut Is Frame Worthy

Pentagram partners Michael Gericke and Michael Bierut have created the new stunningly colorful visual identity for The National Gallery of Art in Washington DC. The goal of the branding identity was to create a system that would beautifully reflect the vibrant and diverse projects within the gallery s walls. The energy is seen through the thoughtful color pairings and through the one-of-a-kind typographical system that was created as a nod to the incised inscriptions on the side of the gallery’s ....

National Gallery Of Art , District Of Columbia , United States , Kaywin Feldman , Tobias Frere Jones , Michael Gericke , Michael Bierut , National Gallery , East Buildings , West Building , East Building , National Gallery Director Kaywin Feldman , தேசிய கேலரி ஆஃப் கலை , மாவட்டம் ஆஃப் கொலம்பியா , ஒன்றுபட்டது மாநிலங்களில் , டோபியாஸ் ஃப்ரீ ஜோன்ஸ் , தேசிய கேலரி , கிழக்கு கட்டிடங்கள் , மேற்கு கட்டிடம் , கிழக்கு கட்டிடம் ,

Fonts and the Law | Communication Arts


By Thomas Phinney
Note: Consult your attorney for advice on any particular legal matter. No reader should act, or refrain from acting, on the basis of this article, without seeking advice from legal counsel in the relevant jurisdiction. 
Whether you use fonts as a graphic or web designer, or are perhaps starting to make fonts, understanding the legal issues around them is important. What are font lawsuits about, what legal protections do fonts have and how does it affect you whether you use fonts or make them?
Font lawsuits take many forms. Some are within a company, such as when Tobias Frere-Jones sued Jonathan Hoefler. Some are business disputes between companies in the font business, whether around distribution/relicensing deals, making derivative fonts and selling them (Adobe v SSi), making similar fonts (ITC v Monotype), or allowing fonts to be embedded in documents (Monotype v Adobe). ....

United States , Yuri Yarmola , Tobias Frere Jones , Cynthia Hollandsworth Batty , Rudy Vanderlans , Fontzone Clive Bruton , Sam Berlow , Karen Shatzkin , George Bruce , Frank Martinez , Jonathan Hoefler , Copyright Office , Font Bureau , European Union , Type Network , Us Copyright Office Compendium Of Practices , Clive Bruton , Legal Protection , Bruce Type Foundry , Hypatia Sans , Darden Studio , ஒன்றுபட்டது மாநிலங்களில் , டோபியாஸ் ஃப்ரீ ஜோன்ஸ் , ஜார்ஜ் காயங்கள் , வெளிப்படையான மார்டினெஸ் , பதிப்புரிமை அலுவலகம் ,

Microsoft Ditches Calibri and Now You Can Choose Their Next Default Font


Microsoft Ditches Calibri and Now You Can Choose Their Next Default Font
Much like professional wrestling, some fonts are just predetermined.
And there’s a reason for that time’s ticking, and you have to get work. There’s not a moment to be precious here. If you’re banging away at the screenplay or pilot, you’re stuck with Courier. You work in Google Docs? That’s Arial. And if you’re Margie in accounts receivable, every inter-office memo about how you can
only have two slices of pizza when they have Quarterly Party is going to be Comic Sans, dammit. ....

Wei Huang , Tobias Frere Jones , John Hudson , Aaron Bell Grandview , Paul Hanslow , Fred Shallcrass , Erin Mclaughlin , Steven Matteson , Quarterly Party , Comic Sans , Times New Roman , Lucas De Groot , Aaron Bell , வெய் ஹுவாங் , டோபியாஸ் ஃப்ரீ ஜோன்ஸ் , ஜான் ஹட்சன் , ஏரின் ம்கிலௌஊகிலின் , காமிக் சான்ஸ் , முறை புதியது ரோமன் , ஆரோன் மணி ,