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Jean-Michel Basquiat Inscribed a Cocktail Book for His Favorite Bartender Before He Died. See His Personal Sketches Inside

Never-Before-Seen Drawings by Jean-Michel Basquiat to Debut on Online Exhibition, "A Gift from Basquiat: Harry's ABC of Mixing Cocktails"

Never-Before-Seen Drawings by Jean-Michel Basquiat to Debut on Online Exhibition, "A Gift from Basquiat: Harry's ABC of Mixing Cocktails"

William Beckman: Five Decades of Self-Portraits

Almine Rech London opens an exhibition of work by Larry Poons

Almine Rech London opens an exhibition of work by Larry Poons This exhibition includes a wide representation of Poons work, spanning from the 1970’s all the way to present day. LONDON .- When the preeminent curator Henry Geldzahler featured Larry Poons’ work in the landmark exhibition New York Painting and Sculpture 1940-1970, at the Metropolitan Museum of Art, which opened in late 1969, he devoted the show’s culminating gallery to the artist — at 32, Poons was the youngest included. The room glowed with Poons’ early “Dots and Lozenge” paintings, as well as several then-recent expansive, colorful abstractions, later regarded as iconic works in the Color Field movement. Geldzahaler thereby positioned Poons as heir to the heroic era of American painting, following in the footsteps of Pollock, de Kooning, and Rothko, whose seminal works preceded Poons in the exhibition plan. Poons was regarded as the promising, guiding and rising star who could lead the way toward exciting