Feldman analysts is artistic portrayals of the American Revolution and civil war. She talks about the influence of paintings, sculptures, in memorials on how history is remembered. The Smithsonian Associates host to this event. Today we are going to look at the American Revolution and civil war, in particular, but a little beyond that. Controversies about the stories we tell. I am going to focus, because it is impossible to cover such an amount of material in one top. Im going to focus in particular on the nations capital, and the public buildings on the mall, which is after all, the centerpiece of american political culture, and our public culture, where people come from all around the world, and the country to participate in government, to learn about government, to understand our heritage. So i thought what is it we say to those people when they come to washington . What have been some of the controversies . What are some of the issues we should be aware of . And what is missing . S
Available as a podcast. Find it where you listen to podcasts. Next on American History tv, art historian Judy Scott Feldman analyzes artistic portrayals of the American Revolution and civil war. She talks about the influence of painting, sculptors, and memorials on how history is remembered. The Smithsonian Associates posted this event. Posted this event. We are going to look at the American Revolution and civil that. Ut a little beyond controversies about the stories we tell. I am going to focus, because it is impossible to cover such an amount of material in one talk, i will focus on the capital and the public buildings on the mall , which is the centerpiece of American Political Culture and our public culture where people come from all around the world in country to participate government, to learn about government, understand our heritage, so i thought, what is it we say to those people when they come to washington . What have been some of the controversies . What are some of the i
First we had the jeopardy allstar tournament. And then we had James Holzhauer winning all of that money and all of those games, and now Emma Boettcher winning a bundle in just two games. Jonathan and erin, are you here to replace her or allow her to keep her run going . Were about to find out, arent we . Good luck. Here we go. Now the categories. First off. Aha. Lets go shopping, i guess. Theres a theme. And finally. Not con verse. Emma, start. Uh, sketchers, 600. It was very crowded in the privy chamber of this king, as sketched by hans holbein the younger. Sketchers, 800. This french sculptor put away the clay to sketch isadora duncan. Emma. Who is rodin . Good. Sketchers, 1,000. Costume designer edith head created many sketches of this actress for hitchcocks rear window. Emma again. Who is grace kelly . Shes the one. Sketchers, 400. Anne is sketched here by this oldest of the bronte sisters. Emma. Who is charlotte . Correct. And sketchers, 200. This artists sketched david, but his m
Voiceover this is bbc news. We will have the headlines for you at the top of the hour, which is straight after this programme. As an art critic and ajournalist, ifeel like a very lucky man indeed, because i get to spend tonnes of time inside museums, places ive loved ever since i was a boy. And during my working life, ive witnessed something astonishing how radically theyve changed. The days of museums as grand, intimidating treasuries for dusty objects are long gone. Theyre becoming much more dynamic and inclusive places less solemn, less elitist, and less west centric too. Museums, i believe, are really having a moment, and thats what i want to explore. This is amazing. So this is his studio. I can walk around, can i . He was painting the orient within the orient. When you see my work, you can easily link the concepts, lets say, or the technique, anything from them, as inspiring. I think thats rather wonderful. Im in istanbul, that great, entrancing, ancient megalopolis, once the cap
of cultural exchange between east and west. i m starting at the pera museum, once an exclusive hotel in the heart of istanbul s diplomatic district. i can t think of anywhere else quite like it, a unique, privately run museum, with a collection exploring the relationship between east and west a centuries long exchange that culminated in a controversial art movement known as orientalism. i m here, though, to find out how people in turkey feel about orientalism today. for art historians, orientalism is quite a specific concept that draws upon the argument of this very famous book published in 1978 by the intellectual edward said. and it refers to a period, principally during the 19th century, when western artists relished depicting subjects from the near east, including turkey. to make their compositions convincing, these artists, who sometimes didn t even travel outside europe, stuffed them full of supposedly authentic details. yet often, they ended up painting these opulent