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Photographers sometimes use special techniques to improve their images. But when do they cross the line between enhancement and fabrication? The distinction resonates in Mary Dixie Carter’s début novel, “The Photographer” (Minotaur, $27.99, 304 pages). Professional photographer Delta Dawn of New York City specializes in shooting children’s birthday parties, which rarely consist of unblemished delight. So she might replace a frown with a smile or remove incipient tears and add sparkle to eyes. She follows her practices when architects Amelia and Fritz Straub throw a bash for their 11-year-old daughter, Natalie, in their Brooklyn brownstone. Impressed by the Straubs and their home, Delta leaps at the chance to babysit the child.

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