Opposition MPs climb on table, throw files in Rajya Sabha during discussion on farmers protest
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Opposition MPs climbed on table during discussion on farmers protest, files thrown in Rajya Sabha
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Last Letter Of Satbir Singh Who Took Bullets For The Country During Kargil War 1999
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The duo first worked together in Apna Bana Ke Dekho in 1962. And even back then, she had noticed that he was always writing on the sets. âHe would pen dialogues and even conceived scenes sitting right there,â she reminisces. This continued through their next film, Do Badan, during the course of which she realised that Manoj sahab was not just a perceptive writer, he also understood the art of filmmaking and had his finger on the pulse of the audience.
Do Badan was a âpoor boy meets a rich girl loveâ story where the two are kept apart by a conniving suitor, loss of sight and misunderstandings galore. What set it apart was that the lovers are united only after death. Ashaji confides that she had convinced director Raj Khosla that her character, Asha, should die in the end while Manoj sahabâs Vikas should live on after a successful eye operation. They went ahead and shot it this way. When Manoj sahab learnt what had happened, he was very upset.