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Civil War and Its Aftermath

Civil War and Its Aftermath
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South Carolina , United States , New Hampshire , North Carolina , Saint Gaudens National Historic Site , Baltimore County , Sweet Home , Mexico City , Distrito Federal , Woodmere Art Museum , Sankt Peterburg , Sojourner Truth , Jasper Francis Cropsey , Robertb Menschel , Lansdellk Christie , Robert Gould Shaw , Ku Klux Klan , Winslow Homer , Glenn Ligon , Walt Whitman , George Washington , Elizabeth Catlett , Frank Blackwell Mayer , Lester Flatt , Alfred Jacob Miller , Sally Mann ,

Exploring Places

Exploring Places
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New York , United States , Hudson River , Van Rijn , Thomas Moran , George Bellows , Jasper Francis Cropsey , Henri Matisse , George Catlin , Francis Cropsey , Hudson River Valley , புதியது யார்க் , ஒன்றுபட்டது மாநிலங்களில் , ஹட்சன் நதி , தாமஸ் மோரன் , ஜார்ஜ் மணிகள் , ஜாஸ்பர் பிரான்சிஸ் பயிர் , ஹென்றி ம்யாடிஸ் , ஜார்ஜ் கேட்லின் , பிரான்சிஸ் பயிர் , ஹட்சன் நதி பள்ளத்தாக்கு ,

"The Voyage of Life: Art, Allegory and Community Response" exhibit at Reynolda House to open to public July 20 | Arts & Theatre


From Lee Krasner’s “Birth” painting to the “Famous Last Words: Death of a Poet” painting by Robert Colescott, the latest exhibit set to open to the public July 20 at Reynolda House Museum of American Art in Winston-Salem covers all stages of life.
“The Voyage of Life: Art, Allegory and Community Response” starts with two river paintings because the exhibit uses the river as a metaphor for the natural ebbing and flowing of life. The introductory section features two paintings — “Mounts Adam and Eve” and “Niagara.”
“Mounts Adam and Eve” is an oil painting on canvas by Jasper Francis Cropsey. It was a gift to Reynolda House Museum of American Art by Barbara B. Millhouse. This painting represents a site near Cropsey’s home in upstate New York. ....

New York , United States , Niagara River , Niagara Falls , Andy Warhol , Thomas Jackson Simmons , Robert Colescott , Albert Bierstadt , Jasper Francis Cropsey , Allison Slaby , Barbarab Millhouse , Fairfield Porter , Romare Bearden , Grant Wood , Keith Haring , Alice Neel , Kiki Smith , Reynolda House Museum Of American Art , Community Response , Wake Forest University , From Lee Krasner , Last Words , Reynolda House Museum , American Art , Jasper Francis , Reynolda House ,

La belleza del día: "La culminación del imperio", de Thomas Cole

La belleza del día: "La culminación del imperio", de Thomas Cole
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New York , United States , New Hampshire , New York Historical Society , United Kingdom , State Of New York , Horatio Greenough , Frederic Edwin Church , Jasper Francis Cropsey , Luman Reed , Joseph Mallord William Turner , Asher Brown Durand , Thomas Cole , York Historical Society , That Thomas Cole , River Hudson , Englishman Cole , New State , Academy Of Fine , Englishmen Joseph Mallord William Turner , With Horatio Greenough , Thomas Cole Are , Primitive State , Painters Such As Asher Brown Durand , புதியது யார்க் , ஒன்றுபட்டது மாநிலங்களில் ,

Folk art gets a proper pedestal at the MFA - The Boston Globe


Folk art gets a proper pedestal at the MFA
By Murray Whyte Globe Staff,Updated February 18, 2021, 6:45 p.m.
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Collector Maxim Karolik gifted this peacock weather vane, created about 1860 to 75.Museum of Fine Arts, Boston
It was 1939 or 1940, by his own recollection, when collector Maxim Karolik showed a group of Museum of Fine Arts curators the paintings he’d gathered around Lenox. “This is the part I call a little sad,” he said, speaking to Brian O’Doherty for WGBH TV’s “Invitation to Art” in 1962.
The curators wanted names to validate the pictures, Karolik said, while he and his wife had the opposite intent. “Our motto was not ‘Tell me who the painter is and I’ll tell you whether the painting is good,’” he said, his gravelly voice thick with an accent that made him sound like a Hollywood Dracula. “Our motto is ‘Tell me if the painting is good, and I don’t care who the ....

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