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Satyajit Ray (2 May 1921 – 23 April 1992), Photo courtesy: Nemai Ghosh Films cannot change society. They never have. Show me a film that changed society or brought about any change, said master director Satyajit Ray in an interview for the American magazine Cineaste more than three decades ago. Poster of Ganashatru The remarks came from a man who was one of the most politically conscious directors India had ever produced and was never constrained by it. It s a political consciousness derived from the tumultuous years of the Naxalbari movement of the 1960s and 70s and the Emergency in the mid-seventies. It is reflected in Ray s films, such as Jana Aranya (The Middleman) and Pratidwandi (The Adversary). Later, he returned to the political theme in Hirok Rajar Deshey (In the Land of Diamond King) and in a different setting in Ganashatru (An Enemy of the People). Ray s Ghare Bairey (The Home and the World) also makes a strong political statement in pre-indepe ....
A marked shift in realising this moral decay on screen is apparent from Aranyer Din Ratri to his Calcutta trilogy Pratidwandi, Jana Aranya. In Pratidwandi, Dhritiman Chatterjee’s Siddhartha declares that he doesn’t want to leave Kolkata, no matter that he is unemployed, with his mind unable to find an ideological footing. The film coincided with the Naxalite movement that began in Bengal, with the caste system and land rights at its root. Still from ‘Pratidwandi’.
It’s no coincidence that the trilogy charted the course of Indira Gandhi’s India as it inched towards Emergency, creating a swelling anger at the state. Ray’s films still focused on capturing the Bengali Brahmin’s, or more importantly, India’s ruling class’s frustration with itself and the country. The trilogy’s protagonists Siddhartha in ....
Artist recreates Satyajit Ray s film posters on 100th birth anniversary to depict Covid crisis Artist recreates Satyajit Ray s film posters on 100th birth anniversary to depict Covid crisis An artist marked 100 years of legendary filmmaker Satyajit Ray by recreating his iconic film posters to depict the Covid-19 crisis in India. advertisement UPDATED: May 3, 2021 12:08 IST Aniket Mitra used posters from Satyajit Ray s iconic films to depict the Covid-19 crisis going on in India Photo: Facebook/Aniket Mitra Satyajit Ray had an inedible mark on the Indian cinema. His films are admired by cinephiles all over the world. May 2 marks 100 years since Satyajit Ray was born, and to celebrate his 100th birth anniversary, an artist paid the legendary filmmaker a poignant and relevant tribute. A Mumbai-based artist named Aniket Mitra celebrated the historic day by reimagining Satyajit Ray s iconic film posters amid the Covid times. ....
URL copied Satyajit Ray s centenary celebrations stalled by pandemic, informs son Sandip Ray On the 100th birth anniversary of his legendary father, director Sandip Ray is reconciled to the fact that his 1/1 Bishop Lefroy Road residence, a place for pilgrimage for fans of arguably India s best-known moviemaker Satyajit Ray, will remain deserted. Sandip, who along with other family members had earlier planned a year-long birth centenary which is now being postponed, told PTI he was not in favour of any zoom meet which doesn t befit such an occasion involving an icon like Ray. The ongoing pandemic and the health emergency which it has created hitting hundreds of thousands of people has forced the family to rethink plans for the celebrations as it thinks such events would be inappropriate at this time. ....