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100 years of Satyajit Ray: How relevant is the maestro today?


- Martin Scorsese
‘‘Not to have seen the cinema of Ray means existing in the world without seeing the sun or the moon.’’
-
Akira Kurosawa
One is an American master and the maker of timeless Hollywood classics like ‘Taxi Driver’ or ‘Goodfellas,’ the other the Japanese auteur who is regarded as one of the most influential filmmakers of the 20th century. The sense of respect and admiration for Ray, the man who was responsible for taking Indian cinema to the global audience, was one of the few factors they would have had in common.
It’s a pity that the Covid-19 pandemic, like so many other things in our lives, have deprived his family and Kolkata - his own city - from celebrating his 100th birth anniversary on Sunday (May 2). The fact that it’s also the day for counting of votes after a volatile, protracted assembly elections in West Bengal over March-April, means the opportunities for his retrospectives, appraisals in TV talk shows and what ha ....

United States , Gulf News , United Arab Emirates , United Kingdom , Jammu And Kashmir , West Bengal , City Of , San Francisco , Rabindra Bharati University , Apur Sansar , Bharat Ratna , Arindam Sil Aborto , Hirak Rajar Deshe , Mrinal Sen , Smita Patil , Rabindranath Tagore , Akira Kurosawa , Marlon Brando , Ritwik Ghatak , Buddhadeb Dasgupta , Shilpa Ranade , Bagha Byne , Sukumar Ray , Sukumar Roy , Pather Panchali , Ray Brando Satyajit ,

The golden days of Satyajit Ray and Mangesh Desai's amazing chemistry | Bengali Movie News


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The association of
Satyajit Ray and
Mangesh Desai goes down in the annals of Indian cinema. Just as no other filmmaker achieved the peak scaled by Satyajit Ray, Mangesh Desai remains the undisputed wizard of sound and track recording and rerecording. Satyajit Ray noticed the brilliance of Mangesh Desai in films like Guide . From
Pratidwandi in 1970, Mangesh Desai recorded all Ray masterpieces till Ghare Baire .
Satyajit Ray started recording his films at Rajkamal Kalamandir. Initially, optical soundtracks were used by Desai. From Pikur Diary, Sandip Ray’s directional debut, magnetic soundtracks replaced optical ones. In almost every film of Satyajit Ray, there were eight to nine soundtracks working. Remembers ....

Satyajit Ray , Sandip Ray , Kiran Shantaramhad , Rajkamal Kalamandir , Bimal Chatterjee , Mangesh Desai , Jana Aranya , From Pikur Diary , சத்யஜித் ராய் , சண்டீப் ராய் , ராஜ்கமல் காலமந்திர் , பிமல் சாட்டர்ஜி , மங்கேஷ் தேசாய் , ஜன ஆரண்யா ,

In a Calcutta Gripped With Naxal Violence and Police Brutality, People Lost Sons, Brothers and Friends


In a Calcutta Gripped With Naxal Violence and Police Brutality, People Lost Sons, Brothers and Friends
For most of the early 1970s, students from prestigious colleges moved to the far left fired by ideological fervour.
A still from Mrinal Sen s film Calcutta 71 that captures life in the city during the time of the Naxal uprising.
Politics11/Mar/2021
The year 1971 was marked with several ‘big victories’ – in politics, cricket and in war – all of which had long term implications for India. The national mood was buoyant, even if the country continued to struggle with endemic problems.
Fifty years later, we look back at those times and evoke some of that mood.  ....

United States , France General , United Kingdom , West Bengal , Republic Of , Santhal Parganas , East Pakistan , Aadhuri Kahani , Shankar Ray , Che Guevara , Kanu Sanyal , Mrinal Sen , Subhas Chandra Bose , Siddhartha Shankar Ray , Jana Aranya , Indira Gandhi , Charu Mazumdar , Jangal Santhal , College Square , Seemabaddha Company , Jadavpur University , Presidency College , Party Of India Marxist Leninist , Calcutta University , Chairman Mao , United Front ,