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Tribute to Vision & Justice Project and Founder Sarah Elizabeth Lewis


Tribute to Vision & Justice Project and Founder Sarah Elizabeth Lewis
Frieze New York galleries and institutions respond to: ‘How are the arts responsible for disrupting, complicating, or shifting narratives of visual representation in the public realm?’ 
A central strand of Frieze New York 2021 programming is the Tribute to the
 Vision & Justice Project and its founder,
Sarah Elizabeth Lewis (Associate Professor at Harvard University). The Tribute will honour the exemplary work of the Vision & Justice Project, through an unprecedented engagement with the community of galleries participating at Frieze New York at The Shed and Frieze Viewing Room. 
The Vision & Justice Project is rooted in education and is dedicated to examining art’s central role in understanding the relationship between race and citizenship in the United States. The intention of the Tribute is to explore this examination and expand the reach of the Vision & Jus ....

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Dallas Museum of Art Presents Concentrations 63, First US Solo Museum Exhibition for Julian Charrière


Dallas Museum of Art Presents Concentrations 63, First US Solo Museum Exhibition for Julian Charrière
Dallas, TX April 5, 2021 The Dallas Museum of Art presents 
Concentrations 63: Julian Charrière, Towards No Earthly Pole, the first US solo museum exhibition for the multidisciplinary French-Swiss artist. Julian Charrière creates work that bridges the realms of environmental science and cultural history. Based on scientific research and expeditions to remote regions of Earth, his sculptures, photographs, and films investigate the irreversible transformation of the natural world by human activity. Charrière references pre-human origins, global explorers of the past, present-day climate change, and the uncertain future of the planet. While his works address environmental exploitation, they also emphasize nature’s magnificence and resilience. ....

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The Lasting Aftertaste of David Hammons's Sugar


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The Lasting Aftertaste of David Hammons’s Sugar
Deborah Levy can’t stop thinking about a work seen at Kettle’s Yard more than 30 years ago
‘Re-Writing History’ was the title of an exhibition at Kettle’s Yard, Cambridge, curated in 1990 by Anna Harding. This intriguing, radical group show featured the work of David Hammons, Alfredo Jaar, Sarkis and Francesc Torres. I was 29 when I first saw it, a little-known writer with a first novel,
Beautiful Mutants (1989), under my belt. I was also, at that time, writing a fiction I reckoned I might title
Swallowing Geography. 
In September 1990, the UK was coming to the end of the Thatcher years; we were growing out our mullet haircuts and getting to grips with Microsoft Word. When I arrived at Kettle’s Yard to see the show, I intuited from the catalogue essay, written by Harding, that ‘Re-Writing History’ was exploring some of the questions I myself was thinking about ....

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