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SKYMINT To Become First-Ever Cannabis Sponsor Of ArtPrize, The Most Attended Public Art Event In The World
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SKYMINT To Become First-Ever Cannabis Sponsor Of ArtPrize, The Most Attended Public Art Event In The World
prnewswire.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from prnewswire.com Daily Mail and Mail on Sunday newspapers.
SKYMINT To Become First-Ever Cannabis Sponsor Of ArtPrize, The Most Attended Public Art Event In The World
apnews.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from apnews.com Daily Mail and Mail on Sunday newspapers.
keem Smith:
No Gyal Can Testis a ghost dance. This multimedia exhibition at Red Bull Arts Detroit explores the fashion, music, and surroundings of 1980s/1990s street dances in Kingston, Jamaica, through archival photos and VHS videos of dancehall reggae events along with custom, impressionistic mannequins and architectural sculptures built from demolished materials gathered in the city.
It looks like you’re walking through the remnants of a long-ago party whose remains include color-washed grainy video, dilapidated buildings, and forgotten fashions. But these are specters of celebration, wraiths of youth, and creativity, not broken-down spirits.
Perhaps the closest Detroit analogs to a Kingston street dance from the same era would be a techno show at an abandoned warehouse or beat-up club, or perhaps the TV program
Exhibition brings together works by women artists with varying relationships to their Dominican heritage
Monica Hernandez, Dumped, 2020, oil on canvas, 72 x 48 in.
NEW YORK, NY
.-Jenkins Johnson Projects, New York, is presenting De Lo Mío. A group exhibition curated by artist Tiffany Alfonseca, with an accompanying essay by curator and writer César García-Alvarez, featuring works by Bianca Nemelc, Joiri Minaya, Monica Hernandez, Uzumaki Cepeda, and Veronica Fernandez. De Lo Mío brings together a focused selection of works by an emerging group of women artists with varying relationships to their Dominican heritage. Originating from Alfonsecas ongoing interest in her generations evolving connections to a motherland, De Lo Mío envisions identity not as a definable set of associations but rather as a spectrum through which multiple personal and collective pasts as well as lived experiences come to forge how people exist.