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Zitkala-Sa, une féministe amérindienne oubliée
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Fri 9 AM | Exchange Exemplar: The Words Of The People In The Women s Suffrage Movement
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FRONT-ROW SEAT: New film festival showcases Haudenosaunee visions
The free, virtual Haudenosaunee Filmmakers Festival will take place April 19-25
VICTOR Louise Herne, a Mohawk Clan Mother in the Bear Clan, muses when she considers the women’s movement, and its connections to the Haudenosaunee people.
“I remember growing up and listening to the grandmas, them hearing about feminism,” she says. “My grandma would say, ‘We’re not feminists – we re the law.”
It’s a moment of humor in Mohawk filmmaker Katsitsionni Fox’s film ”Without a Whisper: Konnon:kwe” about the women’s rights movement’s often unheralded roots in the matrilineal Haudenosaunee society – and a moment of truth. That s emblematic of many of the entries in the upcoming Haudenosaunee Filmmakers Festival: Haudenosaunee people telling their stories – from myth to often hidden history – to themselves, their community and the world. The stories range from the origins of
Matilda Joslyn Gage Foundation to host virtual event around new PBS film about ‘Wizard of Oz’ writer
Updated Apr 15, 2021;
Posted Apr 15, 2021
Central New York native L. Frank Baum wrote the children s classic The Wonderful Wizard of Oz.
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The Matilda Joslyn Gage Foundation will be partnering with PBS on Tuesday night, April 20, for a special virtual event surrounding one of the most beloved stories in American literature.
Following the premier the night before of “American Oz,” a new documentary about Central New York native L. Frank Baum, the author of “The Wonderful Wizard of Oz,” the Gage Center will hold a Zoom Q&A with filmmakers Randall MacLowry and Tracy Heater Strain, who together wrote, directed and produced the film for PBS’ “American Experience” series.
PHOTO PROVIDED A scene from Haudenosaunee Canoe Story, by Rosann Whitebean. For the majority of film history, stories about Indigenous people have been presented by non-Indigenous writers, directors, and too often, actors as well. This fact has done a lot of damage in terms of how Indigenous people are seen, and the often subtle apologist tones with which American history is portrayed. That’s begun to slowly change. And this month, Rochester’s newest film festival will serve not only as a showcase of regional Indigenous films, but an initiative to promote filmmaking specifically among Haudenosaunee women. “There is a powerful difference between telling our own stories or having someone tell them for us, says Michelle Schenandoah (Oneida), founder and editor-in-chief of
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