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Jared Harris Is (and Isn't) His Father's Son - The New York Times nytimes.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from nytimes.com Daily Mail and Mail on Sunday newspapers.
What's On TV, July 12: Jared Harris is back on your TV avclub.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from avclub.com Daily Mail and Mail on Sunday newspapers.
Where have you seen The Beast Must Die cast before? The Britbox thriller which sees Cush Jumbo playing the mother of a hit and run victim has been a hit with critics Cush Jumbo stars in The Beast Must Die on BritBox (Image: Brentwood Gazette) There are always big stories on WalesOnline - don t miss any with our daily emailInvalid EmailSomething went wrong, please try again later. Sign me up now When you subscribe we will use the information you provide to send you these newsletters. Your information will be used in accordance with ourPrivacy Notice. Thank you for subscribingWe have more newslettersShow meSee ourprivacy notice ....
spoke with Elina Löwensohn and Galaxy Craze, who, respectively, played the roles of Nadja and Lucy in the 1994 film, Nadja . Elina shared the upsetting true story behind her dislike of butter, a detail that was carried over into the film; Galaxy expressed uncertainty over her own name. The author reveals that his love of the film is inextricably linked to his own severe feelings of inadequacy as an artist. “You’ll have to tell me, what year was it shot?” Martin Donovan asks me. In . If there were three “big names” in Nadja at the time of its release, it would have been Suzy Amis (now Suzy Amis Cameron, whom I could not reach for this essay), Peter Fonda (who died in 2019), and Martin Donovan, who had become very recognizable thanks to his roles in multiple Hal Hartley films. ....
In The Beast Must Die, a TV series adapted from a dusty 1930s thriller by Nicholas Blake (AKA the poet Cecil Day-Lewis), Jared Harris plays a man who may, or may not, have knocked down a child while driving his sports car too fast around the Isle of Wight. A nouveau riche horror show in chinos and deck shoes, his character appears to have not a single redeeming feature: if you heard his booming, entitled voice at an airport check-in, you’d pray all the way to the gate not to find him in the seat next to yours. But on screen, it’s a different story. Harris is the greatest television actor of his generation. Every scene in which he appears is electrifying. Every one in which he doesn’t cries out for his return. ....