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All the world s a screen? They re used to it The Belgian director Ivo van Hove s Broadway production of West Side Story uses video projections on stage, in New York, Feb. 19, 2020. Before lockdowns began, a screen onstage signified experiment, adventure, risk. Sara Krulwich/The New York Times. by Alexis Soloski (NYT NEWS SERVICE) .- About a year ago, when such things were possible, a friend and I bought cheap, same-day tickets to a preview of West Side Story, directed by Belgian auteur Ivo van Hove. Our assigned seats were in the second row of the orchestra, on the extreme left, below the lip of the stage. Which means that we saw most of the performance via the 30-foot-tall LED display at the back. ....
Alexis Soloski, The New York Times Published: 04 Feb 2021 04:48 PM BdST Updated: 04 Feb 2021 04:48 PM BdST The Belgian director Ivo van Hove s Broadway production of West Side Story uses video projections on stage, in New York, Feb 19, 2020. The New York Times About a year ago, when such things were possible, a friend and I bought cheap, same-day tickets to a preview of “West Side Story,” directed by Belgian auteur Ivo van Hove. Our assigned seats were in the second row of the orchestra, on the extreme left, below the lip of the stage. Which means that we saw most of the performance via the 30-foot-tall LED display at the back. ....
When San Diego theaters abruptly shut down March 12 due to the pandemic, nobody expected they would stay dark for the rest of the year. And yet, out of the darkness, local artists began producing hundreds of online productions, play readings, cabarets and concerts, audio-casts, podcasts, interviews and education programs to stay connected to their art and their audiences. For this year’s look back at the 2020 year in theater, I found it impossible to choose a top 10, since there’s no way to compare the work produced onstage before a live audience with shows presented on Zoom and Facebook Live, or filmed plays. So I offer my picks for standout work in a multitude of formats and themes. ....
The livestreams that won us round to online theatre in 2020 Exeunt’s writers look back on a year of livestreams, and the journey from despondency to hope. Normally, getting to grips with a new medium and a new artform is something you do by choice; “this winter I’ll get really into Twine”, you say to yourself, with no special urgency attached. But 2020 was the year when anyone interested in theatre and performance was ushered (or dragged, vigorously protesting that “it’s not the same!”) into the world of livestreaming. There was sometimes a sense of accompanying responsibility to be upbeat about the Zoom shows you saw. This was a form being born (or at least forced to abruptly mature) during an ongoing onslaught of horrendous world events, and carping about technological mishaps felt as mean-spirited as criticising the tuning at a nursery carol concert. But then, livestreaming started to grow up. Theatre companies started to stage productions especially for ....