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New season of 'Handmaid's Tale' refuses to give June - and viewers

New season of Handmaid s Tale refuses to give June - and viewers - a break from violence
Monica Hesse, The Washington Post
April 29, 2021
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Elisabeth Moss as June in The Handmaid s Tale. Sophie Giraud/Hulu.
There s a scene in the newest season of The Handmaid s Tale (be warned, vague spoilers and many trigger warnings ahead), in which a character has a cloth placed over her face, and while watching it I thought, What s next? Waterboarding?
And then, yes! It was waterboarding.
By then, the episode had already included a grisly fingernails-and-pliers scene. The character had already been locked in a box and hit in the face and shamed and berated and gaslit. What else was left? ....

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Bo Burnham to drop new comedy special on Netflix he filmed alone at home

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Bo Burnham has announced that he has a new musical comedy special, titled Inside, coming to Netflix.
hi. i made a new special, he tweeted Wednesday. it was filmed by me, alone, without a crew or an audience, over the course of the past year. it is almost finished. i hope you like it.
A teaser video features Burnham with a clean-shaven face playing a piano alone in a dimly lit room. At the end, it shifts to a close-up and shows him with a full quarantine beard. ....

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Art or activism? The Oscars' identity crisis | Oscars 2021

Art or activism? The Oscarsâ identity crisis
The Hollywood thinker â¦ can the Oscars reconcile its desires to do the right thing and prioritise aesthetics? And does it need to? Composite: Getty
The Hollywood thinker â¦ can the Oscars reconcile its desires to do the right thing and prioritise aesthetics? And does it need to? Composite: Getty
This yearâs awards will be a battle between political propriety and cinematic excellence. But will medium or message finally triumph?
Fri 23 Apr 2021 01.00 EDT
What is the point of cinema? For most people: entertainment; for some: art. And for a few: a means of shaping attitudes. Such purposes are not mutually exclusive â just ask Ken Loach (or even, perhaps, the Nazi propagandist Leni Riefenstahl). ....

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Jennifer Coolidge on improv, impressions, and her "hi" video

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Jennifer Coolidge is the kind of actor who can make any line interesting; her unique delivery and innate sense of comedic timing have produced some of film and television’s most quotable scenes of the past 25 years. There’s Paulette’s immortal “Makes me want a hot dog real bad” from
Legally Blonde, there’s Sherri Ann Cabot’s “We both love soup” from
Best In Show one of many unforgettable lines from her fruitful collaborations with Christopher Guest and now there’s “Hi,” from an eight-second video that seemingly came out of nowhere to thoroughly tickle the internet. Leave it to Jennifer Coolidge to make even the simplest greeting iconic. ....

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Detail Oriented: All-American Girl to Femme Fatale - The Styling of a 'Promising Young Woman'

Cassie’s response is poignant, speaking volumes about the misogynistic culture in academia and beyond–“Can you guess what every woman’s worst nightmare is?” Fennell’s feature directorial debut is a transgressive male-comeuppance power fantasy–and emotional roller coaster!–as Mulligan’s barista-by-day prowls for would-be date rapists at night, ready to teach them a lesson they won’t soon forget. Still traumatized by her friend’s suicide years after the assault, Cassie drops out of medical school and proceeds with only one goal in life: to dismantle a broken system, one bastard at a time.
The Herculean task of visually transforming Mulligan into the various versions of Cassie–for a quick shoot on a small budget–fell on Emmy-nominated Makeup Department Head Angie Wells ( ....

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