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How Astor Piazzolla transformed tango


Astor Piazzolla [photo: Quinteto Astor Piazzolla]
‘Traitor.’ ‘Apostate.’ ‘Little Lucifer.’ Astor Piazzolla was called all of these things and worse by his fellow Argentinians during his long career. It seems absurd now to think he received death threats in the 60s for breaking with tradition and taking tango off the dance floor and into the conservatory. Yet it was not only arch-conservatives who damned his innovations. Aníbal Troilo, the legendary
bandoneón player and bandleader for whom Piazzolla played in the early 40s – is on record as saying, “it bothers me the way he at times wants to frighten people with strange arrangements.” ....

New York , United States , France General , Entre Rí , Buenos Aires , Distrito Federal , Nadia Boulanger , Astor Piazzolla , Lalo Schifrin , Sonia Possetti , Horacio Ferrer , Osvaldo Pugliese , Osvaldo Fresedo , Octeto Buenos Aires , Daniel Barenboim , Adriana Varela , Gerry Mulligan , Roberto Goyeneche , Gary Burton , Robert Firpo , Alberto Ginastera , Carlos Gardel , Adam Tully , Buenos Aire , Simon Collier , Daniel Melingo ,

The Quietus | Features | A Quietus Interview | The Glorious Exclamation Mark: Carla Bley Interviewed


John Doran
, April 13th, 2021 08:31
Carla Bley is arguably the greatest living jazz composer; John Doran talks to the woman fellow musicians have nicknamed Countess Bleysie and Bleythoven about foundational free jazz sessions, the magic of The Liberation Music Orchestra and her epic jazz opera, Escalator Over The Hill. Home page photograph courtesy of Tod Papageorge
Edward Said immersed himself in the final works of Beethoven, Genet and Beckett while writing his own last book. Said, who produced
On Late Style while ill with leukaemia, concluded that at the end of their lives, artists did not tend to resolve issues that had preoccupied them for their entire practice but instead produced works of unparalleled complexity and unresolved contradiction. ....

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Norah Jones Talks Her First Live Album


Oh and Sorey aren t mere collaborators or accompanists; they re educators and composers in their own rights. Of Sorey s drumming, Iyer cites a life-sustaining kind of magic. And of Oh s bass playing, Her awareness of and relation to pulse, it s like micro-detail, he says. Those qualities and more can be found on 
Uneasy, the trio s first studio record, which drops April 9 on ECM Records. The album is a mix of topical material Children of Flint with Iyer originals ( Combat Breathing ) and standards ( Night and Day ) from deep in their wheelhouse.
Most importantly, Iyer considers the pair to be his musical family; together, they re his stronghold through a racially and sociopolitically turbulent time. And with the tragic Atlanta spa shootings in the rearview, the cover where the three musicians  names float around an out-of-focus Statue of Liberty is a side-eyed glance at what it means to be an American. ....

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