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Last modified on Tue 4 May 2021 11.47 EDT Out of my headphones comes a flow of odd, weirdly tactile sound: what could be an army of ants marching across a plain of contact mics, a landslide of scree recorded from a mile away, or perhaps the first field recording taken from Ingenuity, the tiny robotic helicopter currently flying sorties above the Martian landscape. Delicate clicks, burring friction and the waterfall-like spatiality of granular flow all galvanise my ears. Itâs the sort of thing that may interest subscribers to The Wire magazine, or that an underground musician usually seen sweating over a badly soldered modular synth could make in a moment of calm. This is Lego White Noise, and while it definitely sounds like experimental music, the name makes it clear that this is the work of the worldâs most âreputable brandâ. ....
10 under-the-radar releases you may have missed in the last three months dazeddigital.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from dazeddigital.com Daily Mail and Mail on Sunday newspapers.
CTM 2021: SFX – XquisiteForce.AV CTM 2021: SFX – XquisiteForce.AV An audiovisual ‘Exquisite Corpse’ featuring contributions from a host of musicians and visual artists. Last year, Berlin-based musician Zoë Mc Pherson and visual artist Alessandra Leone launched a unique collaborative project through their SFX platform called XquisiteForce. The project is an audiovisual update of the ‘Exquisite Corpse’, a collaborative assemblage technique developed by the Surrealists in the 1920s. In the original format, players would write on a piece of paper on pass it to the next person, hiding everything that had been written from the next contributor except the very end. In Mc Pherson and Leone’s version, they made an open call for musicians and visual artists to create sound or video in response to the final fragment of a previous work. ....
Fact 2020: Audiovisual Fact 2020: Audiovisual We’ve collected some of our favourite audiovisual works from a year in which creativity was made more difficult, and more vital, than ever. This year Fact Magazine broadened its focus, presenting short film, audiovisual work, movement and performance art alongside the electronic and experimental music we have always championed. More importantly, this year proved to be one of the most challenging faced by artists the world over, with the pressures of a global pandemic, major cuts to arts funding and the sustained struggle of millions of protestors, who continue you to show extreme bravery and strength across the globe, making creativity more difficult, and more vital, than ever. ....