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Dasha Koltunyuk, Department of Music/Princeton University Concerts April 30, 2021 11:29 a.m. Photo by Joey Scelza, Office of Communications “What has music meant to you during the COVID-19 pandemic?” Thirty Princeton University undergraduate and graduate students reflected on this question for Princeton University Concerts’ seventh annual Creative Reactions Contest. Participants were encouraged to use a specific musical work as a point of reference. Six students were named winners after two rounds of judging the anonymous submissions the first by Princeton University Concerts staff, and the second by Wendy Heller, the Scheide Professor of Music History and department chair; Wallace Best, the Hughes-Rogers Professor of Religion and African American Studies and director of the Program in Gender and Sexuality Studies; and Dorothea von Moltke, owner of Labyrinth Books. ....
Imagine yourself deep into the future. You have retired from your job and you spend most of your days reminiscing about the past experiences of your childhood. Everything from your first kiss, getting married and having your first kid is still explicit in your mind. Now, imagine yourself seven years later. Your thoughts reverberate within a thick fog of confusion and horror. Your brain collapses upon itself to the point where you can’t even remember yourself, who you are, your family or your children. You become lost in an endless field of unrecognizable thoughts as dementia drags you down into a pit of emptiness. ....
Bandcamp / Buy For nearly a decade, Nathan Salsburg has managed a remarkably compartmentalized career. A dazzling solo guitarist, heâs released a series of largely instrumental acoustic albums that capture bucolic and bittersweet scenes. As sideman and collaborator, he has added restrained elegance to records by Joan Shelley, The Weather Station, and even Shirley Collins. The longtime host of a global folk show on New Yorkâs erstwhile East Village Radio, Salsburg became the curator of the Alan Lomax Archive; as one of the compiling minds behind many of its recent revelatory releases, he assembles box sets and expounds on the virtues of folk music repatriation. The synthesis of all this work is sometimes audible on his albums, but it is not hard to imagine an old-time music enthusiast admiring the Lomax-centric gig without having heard the remarkable ....