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Afropop Worldwide | Anatomy of a Song: "Africa Mokili Mobimba" and the African Jazz Sound


Ils ont brûlé le Congo
Enflammé l Angola
Ils ont brûlé Kinshasa
Fans called Docteur Nico “
Dieu de la guitare” (God of the Guitar). Playing lead, with his brother Déchaud on rhythm guitar, in various versions of this song, they added a third guitar between theirs. That innovation came to be known as the
mi-solo. Recently, a guitarist very familiar with this unpacked Docteur Nico’s innovation:
Black-owned Business
One reason Kallé has been called the Father of Congolese music is because he was the first African musician to create his own record label, Surboum African Jazz. He was responsible for striking deals with European record labels to ensure high quality recordings of his band s music for the Francophone market. Even some records from his key rival, Franco, came out on Kallé’s label. ....

Democratic Republic Of The Congo , United States , France General , Democratic Republic Of The General , Bruxelles Capitale , Ciudad De La Habana , Lunda Norte , Province De La Ngounie , Republic Of Zaire , Salif Keita , Luambo Makiadi Francois Franco , Ricardo Lemvo , Tshala Muana , Sam Mangwana Mayimona , Mpiana Mukulumpa , Pepe Kall , Madiata Madia Gerard , Sese Seko , Pascal Rochereau , Mbilia Bel Mboyo , Africa Mokili Mobimba , Docteur Nico Dieu , Docteur Nico , Emmanuel Ndjok , Bana Congo , Tiken Jah Fakoly ,

Give music industry boost to create jobs


THE STANDARD
OPINION
Kenya secular artiste Susanna Owiyo perform on stage at a past Koroga festival. [File, Standard]
I have had a debate with some friends whether Kenya has more talent than Tanzania. They are adamant that Tanzania has better talent.
After all, Tanzania s Bongo music is preferred to Kenyan music in our clubs and matatus. As such, people are voting in favour of Tanzanian and Nigerian music. They argue that Tanzanians have better lyrics because they have better songwriters and the Nigerians have better music than we do.
To understand this industry better, I invited Akothee, Tanasha Donna and Mike Strano to discuss. Akothee has been struggling to break into the music business for a long time. Tanasha Donna only managed to get a breakthrough once she went to Tanzania and did some music with Diamond. Why does Tanzania produce better music than we do? This debate was educative on the challenges our artistes face, and what we need to do to catch up w ....

Nyota Ndogo , Mike Strano , Susanna Owiyo , Tanasha Donna , Sauti Sol , Music Group , Universal Music Group , International Fonographic Production Industry , Otile Brown , Amendment Act , Congolese Music , Music Industry , மைக் ஸ்திரதனோ , இசை குழு , உலகளாவிய இசை குழு , திருத்தம் நாடகம் , கூட்டுறவு இசை , இசை தொழில் ,