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Researchers suggest that trippy hallucinations influenced prehistoric cave art

Bison depicted at the Altamira cave in northern Spain Thom Quine The evocative Upper Paleolithic art (dating from roughly 44,000 to 12,000BC) found in caves in France and Spain has long intrigued art historical and scientific researchers. But one facet has stumped many scholars: Why are so many of these paintings found in remote, narrow, hard-to-reach halls or passages that cannot be navigated without artificial light? A team of Israeli researchers suggests the answer: the torches used by the artists in such enclosed spaces triggered hypoxia, a state resulting from a reduced oxygen concentration that can stimulate dreams and hallucinations. By seeking out these tight spaces, the scientists suggest, the artists were aiming to achieve an altered state of consciousness that would put them in touch with the cosmos and inspire their imaginations.

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La 7e Semaine de la critique de Berlin a proposé de voir le cinéma différemment

La 7e Semaine de la critique de Berlin a proposé de voir le cinéma différemment Watch Over Me de Farida Pacha (© Leafbird Films) Cet article est disponible en anglais. A selection committee composed of young film critics put together the 7 th edition of the Berlin Critics’ Week, which wasn’t reserved to the industry but open to the general public. People with an accreditation could access the films from outside Germany, too. This edition of Berlin Critics’ Week took place from 27 February to 7 March, in parallel with the first half of this year s Berlinale. The Critics’ Week was funded in 2015 by members of the German film critics association following the example of much older Critics’ Weeks associated with some of the biggest international film festivals, such as Cannes, Venice and Locarno. The aim was to attract attention to the discipline of film criticism and to value its importance within the film business. Specifically, the section seeks to look at films mor

Germany
India
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Berlin
Locarno
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Caroline-pitzen
Manoj-leonel-jason

The 7th edition of the German Critics' Week offered to look at cinema differently

The 7th edition of the Berlin Critics’ Week offered to look at cinema differently Watch Over Me by Farida Pacha (© Leafbird Films) A selection committee composed of young film critics put together the 7 th edition of the Berlin Critics’ Week, which wasn’t reserved to the industry but open to the general public. People with an accreditation could access the films from outside Germany, too. This edition of Berlin Critics’ Week took place from 27 February to 7 March, in parallel with the first half of this year s Berlinale. The Critics’ Week was funded in 2015 by members of the German film critics association following the example of much older Critics’ Weeks associated with some of the biggest international film festivals, such as Cannes, Venice and Locarno. The aim was to attract attention to the discipline of film criticism and to value its importance within the film business. Specifically, the section seeks to look at films more closely: “In

Germany
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Manoj-leonel-jason

La 7a Semana de la Crítica de Berlín ofreció una forma diferente de ver el cine

08/03/2021 - La asociación de críticos alemanes, que fundó el evento en 2015, organizó este año una edición online que incluyó una selección de películas, conferencias y debates

Germany
India
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Berlin
Locarno
Ticino
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Caroline-pitzen
Manoj-leonel-jason

The 7th edition of the German Critics' Week took place in parallel with the first part of this year's Berlinale

The 7th edition of the Berlin Critics’ Week offered to look at cinema differently Watch Over Me by Farida Pacha (© Leafbird Films) A selection committee composed of young film critics put together the 7 th edition of the Berlin Critics’ Week, which wasn’t reserved to the industry but open to the general public. People with an accreditation could access the films from outside Germany, too. This edition of Berlin Critics’ Week took place from 27 February to 7 March, in parallel with the first half of this year s Berlinale. The Critics’ Week was funded in 2015 by members of the German film critics association following the example of much older Critics’ Weeks associated with some of the biggest international film festivals, such as Cannes, Venice and Locarno. The aim was to attract attention to the discipline of film criticism and to value its importance within the film business. Specifically, the section seeks to look at films more closely: “In

Germany
India
France
Switzerland
Berlin
Locarno
Ticino
French
German
Caroline-pitzen
Manoj-leonel-jason

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