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Cannes Critics Week Artistic Director Ava Cahen Talks 2023 Selection – Deadline

Cahen about the challenges of getting her second line-up over the line as well as themes and trends to have emerged out of the compact selection

Fantasia Adds Next Sohee, Final Cut, Other Final Titles to a Varied Lineup

Cannes Hidden Gem: Poverty and Poultry Collide in Absurdist Egyptian Drama Feathers

Cannes Hidden Gem: Poverty and Poultry Collide in Absurdist Egyptian Drama ‘Feathers’ Alex Ritman Feathers Should any filmmaker suddenly find themselves in need of a performing chicken or two for their movie, there’s a director in Cannes who knows exactly what to do. According to Omar El Zohairy, while there may only be one chicken in his directorial feature debut Feathers having its world premiere in the Critics’ Weeks sidebar such was the importance of the role that the film’s animal handler (a man more accustomed to working with larger creatures, such as dogs and lions) actually used about 30 in all. And this flock plucked (sorry) from obscurity for their big-screen break had to be specially trained.

La 7e Semaine de la critique de Berlin a proposé de voir le cinéma différemment

La 7e Semaine de la critique de Berlin a proposé de voir le cinéma différemment Watch Over Me de Farida Pacha (© Leafbird Films) Cet article est disponible en anglais. A selection committee composed of young film critics put together the 7 th edition of the Berlin Critics’ Week, which wasn’t reserved to the industry but open to the general public. People with an accreditation could access the films from outside Germany, too. This edition of Berlin Critics’ Week took place from 27 February to 7 March, in parallel with the first half of this year s Berlinale. The Critics’ Week was funded in 2015 by members of the German film critics association following the example of much older Critics’ Weeks associated with some of the biggest international film festivals, such as Cannes, Venice and Locarno. The aim was to attract attention to the discipline of film criticism and to value its importance within the film business. Specifically, the section seeks to look at films mor

The 7th edition of the German Critics Week offered to look at cinema differently

The 7th edition of the Berlin Critics’ Week offered to look at cinema differently Watch Over Me by Farida Pacha (© Leafbird Films) A selection committee composed of young film critics put together the 7 th edition of the Berlin Critics’ Week, which wasn’t reserved to the industry but open to the general public. People with an accreditation could access the films from outside Germany, too. This edition of Berlin Critics’ Week took place from 27 February to 7 March, in parallel with the first half of this year s Berlinale. The Critics’ Week was funded in 2015 by members of the German film critics association following the example of much older Critics’ Weeks associated with some of the biggest international film festivals, such as Cannes, Venice and Locarno. The aim was to attract attention to the discipline of film criticism and to value its importance within the film business. Specifically, the section seeks to look at films more closely: “In

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