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Hibernia: The Language of Form | Irish America


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“Semi-abstraction is the area that I feel happiest in, not pure geometry or pure abstraction or pure figurative representations, but rather the area in between,” explains sculptor Bernadette O’Huiginn. “I’ve always been attracted to the line of beauty, a sinuous, serpentine line. The significance of the curved line is very meaningful; there is something very deep in the human heart that responds to the curve as opposed to the straight line.”
Birds on the Foam.
In discussing works that have influenced her sculpture, she cites the omnipresent curves and rhythms of the La Téne period of Celtic Art. The La Téne period, so named for the town in Switzerland where remnants of this particular group of Celts were first discovered, spanned the second and third centuries B.C., and represented a time when Celtic art was flourishing. These migrating Celts brought to Ireland their curvilinear representational forms that were united with the long-standing paga ....

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From a 19th-century table that inspired a lament to the work of a modern craftsman


From a 19th-century table that inspired a lament to the work of a modern craftsman
Sheppard’s Great Irish Interiors sale features two tables by Cork men 150 years apart
about 7 hours ago
 
Sheppard’s Great Irish Interiors sale, which will be held in a live online auction on April 28th and April 29th lists two important tables. Both were designed by Cork men but created almost 150 years apart.
They could not be more different – from a profusely carved 19th-century piece with a nationalist narrative, to the ethereal blonde ash table and chairs made in an old potato barn in 2001.
John Fletcher’s Shamrock Table, a 19th-century piece with three leaves in the shape of a shamrock, was created in Cork in 1852 but failed to sell when exhibited at the Irish Industrial Exhibition. Emblazoned with Irish symbolism in 13 different woods, the words, “as fada do shúan a chruit”(long has been thy slumber, O Harp) lie under a bare-breasted Erin carved in white ....

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