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Swiss Artist Accuses London Design Biennial For Copying Massive Forest Installation: The centerpiece of the exhibition which features 400 trees planted in the courtyard of Somerset House. ....
Duo of Brit Awards 2021 trophies designed by Yinka Ilori and Es Devlin Duo of Brit Awards 2021 trophies designed by Yinka Ilori and Es Devlin Each Brit Awards winner will receive two awards, with each recipient invited to gift the second trophy in the spirit of ‘giving something back’
Brit Awards trophies, designed by Yinka Ilori and Es Devlin British designers Yinka Ilori and Es Devlin have created two trophy designs for the 2021 Brit Awards winners. Presented to winners on the night of 11 May at London’s O2 arena, this is the first double, collaborative trophy design in the awards’ history, a concept imagined to celebrate the act of giving during a difficult year. ....
The launch of Superblue could not have come at a worse time. It was August 2020, in the heat of the summer lockdown, when the company announced its formation to a largely skeptical art world. It would pursue, it said, a twin mandate: to produce show-stopping immersive artworks for mass audiences of ticket buyers at a 50,000-square-foot “experiential art center” in Miami and take on experiential commissions for private and public clients at an ever-evolving array of off-site locations around the world. Both goals would be achieved in collaboration with A-list artists bridging the increasingly hazy borders between creative disciplines. ....
/ Klaus Littmann, the Swiss artist behind the major art intervention ‘For Forest – The Unending Attraction of Nature’ which took place in Klagenfurt, Austria in 2019, has expressed his concern about the similarity of a new project by the British stage designer Es Devlin for the London Design Biennial 2021 titled ‘Forest for Change’. Imitation is the sincerest form of flattery – Oscar Wilde Littmann started presenting theme-oriented art exhibitions in the public arena around 30 years ago. At the centre of his research lies the interest in everyday culture as well as the dialogue between contemporary Art and historically grown urban spaces. Underlying each of his complex and unique projects is a dichotic tension highlighting the artist’s preoccupation with everyday culture and the confrontation between contemporary Art and urban spaces. ‘Art should, by all means, go to places where people already are – that is to say, in the public realm ‘, he says ....
Es Devlin plans 400-tree forest at London’s Somerset House Es Devlin plans 400-tree forest at London’s Somerset House Es Devlin’s Forest for Change – The Global Goals Pavilion, created in partnership with Project Everyone for London Design Biennale, will cover Somerset House’s central square with 400 trees in a bid to spark debate on the path to a better world When Es Devlin first visited Somerset House, something attracted her attention: ‘I discovered that the Enlightenment principles on which the building was conceived specifically forbade the introduction of trees into the courtyard,’ she recalls. So naturally, as soon as she was able to leave her mark on the historical London venue, the first thing she had in mind was to plant a forest in it. ....