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Paddy McGuinness: watching people telling lies is oddly irresistible | Rebecca Nicholson


Paddy McGuinness: host of BBC1’s latest Saturday night effort. Photograph: Kieron McCarron/PA
Paddy McGuinness: host of BBC1’s latest Saturday night effort. Photograph: Kieron McCarron/PA
Sat 8 May 2021 10.00 EDT
Last modified on Sat 8 May 2021 10.42 EDT
It seems, lately, that whenever a television show arrives promising a brave new format, my first thought is: “There’s no way I’m watching that.”
I had it with
The Wall, the quiz show where Danny Dyer prowls along the bottom of a giant, upturned pinball machine and talks dirty to the big balls.
And I had it with
I Can Hear Your Voice, BBC1’s latest Saturday night effort, hosted by Paddy McGuinness, where people lip-sync to someone singing in what may or may not be their own voice. The contestants and panel then have to decide if that person really does sound like Idina Menzel or if they’re more like garden foxes in mating season. ....

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7 Tips for Writing a Near-Future Dystopian Novel


7 Tips for Writing a Near-Future Dystopian Novel
In this article, debut author Christina Sweeney-Baird explains how writers can expertly craft a near-future dystopian novel.
Author:
May 6, 2021
At its best, dystopian fiction provides a completely believably insight into an alternative world. It should show the reader what this world looks like and what it feels like. A near-dystopian setting makes this easier in some ways as your starting point for the practical consequences of your What if? question is the here and now (or so few years away as to make little difference). And readers can, often, more easily identify with characters who are living lives similar to theirs and feel like they could be friends or people they know. ....

John Mandel , Christina Sweeney Baird , Near Future Dystopian , Character Draft , Beginning Sets , Station Eleven , Emily St John Mandel , Does It Feel , ஜான் மண்டேல் , கிறிஸ்டினா ஸ்வீனி பெயர்ட் , நிலையம் பதினொன்று , எமிலி ஸ்டம்ப் ஜான் மண்டேல் , செய்யும் அது உணருங்கள் ,

All the world is a van: Shakespeare in a time of Covid


All the world is a van: Shakespeare in a time of Covid
King Lear in a Van is a clever way of bringing theatre and drama to the masses
about 5 hours ago
 
If you were loitering around Ely Place in Dublin recently you may have heard some worrying bellowing from the car park/loading bay of the Royal Hibernian Academy (RHA). Don’t worry, it was just King Lear, sitting on a yellow Ikea throne in the back of a converted van having it out with his daughters Cordelia, Regan and Goneril.
“Where we’re rehearsing today is the first time we have had good acoustics,” says Matthew Malone who plays Goneril, Regan, Gloucester and Kent in this production of King Lear in a van. “And Arthur is booming.” King Lear is played by Arthur Riordan. “It’s been a while since I’ve heard that. It’s like the Abbey, this car park.” ....

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