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David Crosby interview: free love, drugs, and why America might be doomed
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5 Albums I Can t Live Without: David Crosby
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Last modified on Mon 26 Apr 2021 06.04 EDT
These days, we think of the period between 1965 and 1967 as one of white-hot musical progress, a dizzying three-year period during which innovation followed innovation, a succession of totemic albums and singles were released and pop music changed irrevocably. But, as Jon Savageâs superb book 1966: The Year the Decade Exploded made clear, not everyone at the time was impressed with how things were going. Savageâs research revealed a succession of contemporary naysayers, devoted to âringing the death knellâ as he put it: 1966 â The Year Pop Went Flat was noted music journalist Maureen Cleaveâs assessment of 12 months that had seen the release of Revolver, Blonde on Blonde, Reach Out (Iâll Be There), Eight Miles High, Itâs a Manâs Manâs Manâs World and 19th Nervous Breakdown.
Richard Clapton s new album is a reminder he s still angry after all these years
updated 57
AprApril 2021 at 9:21pm I think teenagers or should I say young people are going to be attracted to this album, says Richard Clapton.
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It was 1965 when Richard Clapton and a few of his best friends booked themselves into the Chevron Hotel in Potts Point. Their plan was to meet the Rolling Stones.
Having found their own room, the teenagers headed up to where they thought the Stones might be and promptly found a very sad looking Brian Jones sitting by himself, playing a zither.
Died: January 21, 2021. JOHNNY Rogan, who has died aged 67, was a prodigious and prolific biographer of rock and pop icons, who wrote a plethora of exhaustive tomes on subjects ranging from The Byrds to Van Morrison, Wham! and The Smiths. His studies often ran to hundreds of pages, leaving no stone unturned in their forensic and sometimes unflattering portraits of his subjects. While the rabbit holes Rogan jumped down came from his unadulterated passion for music, his extensive portraits of the procession of mavericks that fascinated him were the polar opposite of PR-driven, cut-and-paste hagiographies. Nowhere was this more evident than in Morrissey & Marr: The Severed Alliance (1992), his unflinching account of the demise of The Smiths. A slighted Morrissey declared his disdain for the book in typically melodramatic fashion. “Personally,” he spat, “I hope Johnny Rogan ends his days very soon in an M3 pile up.”
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