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"Exterminate All the Brutes": Filmmaker Raoul Peck Explores Colonialism & Origins of White Supremacy

"Exterminate All the Brutes": Filmmaker Raoul Peck Explores Colonialism & Origins of White Supremacy
democracynow.org - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from democracynow.org Daily Mail and Mail on Sunday newspapers.

New York , United States , Israel General , New York Public Library , Iberian Peninsula , Spain General , United Kingdom , France General , Young Marx , Julia Wright , Nermeen Shaikh , Nermeen Sheikh , Michel Rolph Trouillot , Patrice Lumumba , Roxanne Dunbar Ortiz , Sven Lindqvist , Raphael Lemkin , Rick Santorum , Raoul Peck , Mitch Mcconnell , Josh Hartnett , Richard Wright , Amy Goodman , James Baldwin , Young Karl Marx , Us Congress ,

Monthly Review | Gerald Horne: Against Left-Wing White Nationalism (Organizing Upgrade)


Gerald Horne: Against Left-Wing White Nationalism (Organizing Upgrade)
Image: Internationalism.
When white leftists fail to interrogate white supremacy, they invariably place the white blue collar worker in the primary position, leading all others.
The good news is that Comrade Bob Wing’s analysis represents a step forward in terms of the U.S. Left’s understanding of the nation “republic” in which it struggles.
The bad news is that the U.S. left has not necessarily kept pace with the U.S. ruling class in terms of similar issues, or even with non-radical African-Americans, for that matter.
Consider the multi-part series on HBO Max (a member in good standing of the much reviled “corporate media”) that premiered recently, i.e. Black filmmaker Raoul Peck’s “Exterminate All the Brutes,” a sweeping analysis and condemnation of settler colonialism (a term curiously absent from ordinary discourse on the left) and white supremacy.  His other credit ....

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Serbian WWII film smeared by war propagandists in Western media


BY MAX PARRY
 
Eighty years ago last month, the Axis powers invaded the former Yugoslavia during the Second World War. A new Serbian film, 
Dara of Jasenovac, depicts the systematic extermination of Serbs which followed under the Nazi-puppet government of the Independent State of Croatia. Despite consultation with reputable historians during production and a screenplay based upon witness testimony, its release has generated controversy among international film critics. An examination of the English-speaking reception to the Serbian entry for the 93rd Academy Awards shows a boilerplate negative response and pseudo-journalistic pile-on that is part of an anti-Serb bias in Western media ever since the NATO war on Yugoslavia in the 1990s. Despite recent attempts at closer relations with the West, Serbophobia remains a fixture in corporate media on account of Belgrade’s strong historical ties with Moscow amid the New Cold War between the U.S. and Russia.  ....

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