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Opera is taking new forms, and its survival may depend on it » Borneo Bulletin Online

January 20, 2021
Michael Andor Brodeur
THE WASHINGTON POST – A strange package arrived on our doorstep last week. Strange because it didn’t contain masks, or disinfectant wipes, or even another jar of that chili-crisp paste we keep blowing through. It was a box of opera.
The Beauty That Still Remains: Diaries in Song is the latest experiment by the New York-based On Site Opera, a company that stays true to its name, even as it eschews that most foundational of operatic conventions: the stage.
It’s also the latest example of the many ways opera is reinventing itself amid a pandemic that kept houses shuttered for the better part of a year. Without audiences filling rows in real life, opera companies are experimenting with ways to keep fans engaged. ....

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How Jewish theater adapted to the pandemic era – The Forward

In a normal year, David Winitsky spends most of the spring on the road.
Winitsky is the founder of the Jewish Plays Project, a theater incubator whose annual playwriting contest begins in March with a series of live readings staged at Jewish community centers across America. Usually, Winitsky travels to each location, rehearses a cast of actors, and hosts an event during which audience members view excerpts from several plays and vote for their favorites.
Even as the American coronavirus caseload climbed in early March, Winitsky held out hope that he could proceed as planned: It was hard to imagine the competition without in-person gatherings. One night, Winitsky called a colleague to confirm that the contest’s first reading was still on. The next day, news broke that major cultural institutions like the Metropolitan Opera and Carnegie Hall were closing their doors in an effort to slow the disease’s spread. ....

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