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The sacred and thesublime Updated: Updated: The 40th edition of Surashree Kesarbai Kerkar Sangeet Samaroh brought together musicians from all gharanas Share Article The 40th edition of Surashree Kesarbai Kerkar Sangeet Samaroh brought together musicians from all gharanas How does one describe the sublime? It is the coming together of the aesthetic and ethical, it is the judicious combination of sensibility and representation, a feeling that releases the perceiver from the constraints of human condition to list a few. The 40th edition of Surashree Kesarbai Kerkar Sangeet Samaroh, an annual festival of music hosted by Kala Academy, Goa, had many lofty moments that took the listener beyond form, beauty, feeling and rhetoric. Music rose above the ‘visible’ taking the listener to a noble and profound state of ....
Updated: February 12, 2021 15:36 IST The annual Sangeet Samaroh in Goa in memory of the legendary Kesarbai Kerkar is a homage to all the women who became colossal figures in classical music Share Article AAA The annual Sangeet Samaroh in Goa in memory of the legendary Kesarbai Kerkar is a homage to all the women who became colossal figures in classical music The brochure of Kala Academy’s recently concluded 40th edition of Surashree Kesarbai Kerkar Sangeet Samaroh in Goa introduces the incomparable Kesarbai thus: ‘Surashree Kesarbai Kerkar’s life was the enactment of a noble soul’s yearning for achieving musical perfection with perseverance and tenacity. Kesarbai was God’s gift to Goa’. ....
Listen: A Khadim Hussain Khan recording echoes the time musicians sat down to listen to their peers The presence of musicians in the audience could provide a different perspective to listening and could even guide lay listeners through their responses. Khadim Hussain Khan. | Screengrab via YouTube. Hindustani music festivals running over two or more days have always featured many sets of performers. But conventionally, a standalone concert would present only one set. The concert would go on for three hours or even more depending on the calibre of the performer and the response from the audience. However, over the past two decades or so, concert organisers have been trying to feature many performers in a single session. They have probably been driven to doing this in order to reach out to diverse audiences with varied tastes. As a result, musicians are forced to squeeze content within 60 to 90 minutes and the conscientious among them ....