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The hyper-detailed video game worlds of Raf Banzuela


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Banzuela, who illustrated new covers of Noli and Fili for Anvil Publishing, talks about how he manages the amount of painstaking detail he pours into each work. In photo: detail of his The Legend of Zelda: Majora’s Mask piece. Photo courtesy of RAF BANZUELA
The longer you stare at a poster illustrated by Raf Banzuela, the more you’re rewarded with details ripped straight from video gaming’s best moments. One of his recent pieces is a tribute to “The Legend of Zelda: Majora’s Mask,” which comprises the game’s many characters and gameplay elements into a haunting diorama of the Nintendo classic. For Banzuela, a lot of the storytelling in his work comes from these carefully researched details. ....

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We Robot – Manila Bulletin


PROPHETIC The front cover of
Robot Unibersal ni Rossum (R.U.R.) by Karel Čapek, in Filipino. Illustrations by John Sherwin Acampado. Book design by Ryan Cuatrona
In an era defined by fast-moving digital transformations and technological innovations, little did everyone know that a hundred years ago, a Czech playwright named Karel Čapek had a prophetic vision of a sub-human life capable of performing the work of humans. He called it robot.
To commemorate the centennial of the world
robot, the Czech Embassy in Manila in cooperation with Ateneo de Naga University Press has issued the translation of
R.U.R., a drama by Karel Čapek in Filipino, where the world ....

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Renowned century-old Czech play 'Robota translated into Filipino; Ateneo de Naga launch on May 1


Launch Poster of the R.U.R. book (Embassy of the Czech Republic)
R.U.R, a play involving a factory that builds artificial people who would become servants to humans, had its inaugural staging at the Czech National Theatre on January 25, 1921, and has since been translated and performed in more than 30 countries.
While Čapek was credited to be the first person to have used the term, it was his brother Josef, a cubist painter, who had come up with the term which came from the Slavic word ‘Robota’ that means “serfdom” or “forced labor” and perfectly encompasses the play. ....

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