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People, pictures, places: German Jews across the centuries | Culture| Arts, music and lifestyle reporting from Germany | DW

People, pictures, places: German Jews across the centuries | Culture| Arts, music and lifestyle reporting from Germany | DW
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Moze Halperin on Roy Andersson s About Endlessness (2019)

RIGID, ASHEN, AND CAMOUFLAGED against backgrounds intricately rendered in fifty shades of greige, characters throughout Roy Andersson’s 2014 A Pigeon Sat on a Branch Reflecting on Existence repeat the line “I’m happy to hear you’re doing fine.” Paired with the likes of a tortured, electrode-bound lab monkey and a man in an office on the brink of suicide not to mention the entire film’s haunting by one Boschian vision of colonial terror this recurring utterance becomes a searingly insipid punch line. Andersson, in Pigeon and the other two films in his “Living Trilogy,” depicts the symbiosis of

Game Jam Winner Spotlight: Remembering Grußau

Remembering Grußau is perhaps to call it a guided reflection on a piece of artwork specifically, the 1925 painting of the same name by the Jewish surrealist painter Felix Nussbaum and its meaning within the greater context of history, and the artist s life and eventual murder in the Holocaust. The game is simple, focused, and highly effective in prompting the player to meaningfully engage with the subject matter in a deeply personal way. A big part of how it accomplishes this is by inventively bridging the gap between digital and physical engagement. The game itself is built in Twine with very basic interactive fiction mechanics, but the player s most important action is taken offline: they are instructed to step away, write a letter to Nussbaum, fold it into an envelope, and keep it nearby for a day before returning to complete the game. When they do, they are asked to indicate the theme of the letter they wrote, and then given a response but to see what that response is,

דרישה: לשלול מעו ד הולנדי תואר חסיד אומות עולם

דרישה: לשלול מעו ד הולנדי תואר חסיד אומות עולם
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