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Perspective | Georg Scholz s vision of a Weimar German village is a society in free fall

Perspective | Georg Scholz s vision of a Weimar German village is a society in free fall
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Moze Halperin on Roy Andersson s About Endlessness (2019)

RIGID, ASHEN, AND CAMOUFLAGED against backgrounds intricately rendered in fifty shades of greige, characters throughout Roy Andersson’s 2014 A Pigeon Sat on a Branch Reflecting on Existence repeat the line “I’m happy to hear you’re doing fine.” Paired with the likes of a tortured, electrode-bound lab monkey and a man in an office on the brink of suicide not to mention the entire film’s haunting by one Boschian vision of colonial terror this recurring utterance becomes a searingly insipid punch line. Andersson, in Pigeon and the other two films in his “Living Trilogy,” depicts the symbiosis of

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