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To the Ends of the Earth (2020)
Kiyoshi Kurosawa,
To the Ends of the Earth, 2019, HD video, color, sound, 120 minutes. Yoko (Atsuko Maeda).
JAPAN AND UZBEKISTAN have a friends-with-benefits relationship, one that sees the world’s third-largest economy and its sogo shosha investing in and importing the formerly-Soviet Central Asian nation’s resources some radioactive (uranium), some laxative (dried fruit) and bolstering a miscellany of Uzbek projects, from industrial modernization to Covid-19 response to tourism. Such a transactional bond doesn’t exactly sound like the stuff from which movies are made. 
Yet Uzbekistan’s Ministry of Tourism, its national cinema agency Uzbekkino, and a handful of Japanese production companies teamed up for a film commission celebrating “the twenty-fifth anniversary of diplomatic relations” between the two countries and the seventieth anniversary of  the Alexey Shchusev–designed, partly Japanese POW–constructed Navoi ....

Toshkent Shahri , France General , Belgorodskaya Oblast , Yoko Atsuko Maeda , Akiko Ashizawa , Samin Nosrat , Alexey Shchusev , Atsuko Maeda , Kiyoshi Kurosawa , Temur Adiz Rajabov , Hotel Uzbekistan , Ministry Of Tourism , Uzbekistan Ministry Of Tourism , Soviet Central Asian , Navoi Theater , Silver Lion , Venice Film Festival , Bright Future , Tokyo Sonata , Lake Aydar , Adiz Rajabov , பிரான்ஸ் ஜநரல் , யோகோ ஆட்சுக்கோ மாயீட , ஆட்சுக்கோ மாயீட , ஹோட்டல் உஸ்பெகிஸ்தான் , அமைச்சகம் ஆஃப் சுற்றுலா ,