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Review: Kiyoshi Kurosawa's 'To the Ends of the Earth' is a moving, eye-opening tale of cultural difference


Review: Kiyoshi Kurosawa s To the Ends of the Earth is a moving, eye-opening tale of cultural difference
Justin Chang
© (KimStim)
Yoko (Atsuko Maeda) sees more than she bargains for on her journey in Kiyoshi Kurosawa s absorbing new drama, To the Ends of the Earth, set entirely in Uzbekistan. (KimStim)
Like most television personalities, Yoko (Atsuko Maeda) knows how to put on a good show. She’ll dig into a plate of food, marveling at how delicious it is, even if the rice is noticeably undercooked (“Exquisitely crunchy!” she says). She’ll strap herself into a nightmarish-looking theme park ride no fewer than three times in ultra-rapid succession, then vomit discreetly off-screen before returning to report on what a blast it was. But as good as Yoko is at turning on the charm, she becomes a noticeably different person when the cameras aren’t rolling: sometimes distracted and inattentive, sometimes overwhelmed by her strange new envi ....

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'To the Ends of the Earth' review: Moving, eye-opening tale


Like most television personalities, Yoko (Atsuko Maeda) knows how to put on a good show. She’ll dig into a plate of food, marveling at how delicious it is, even if the rice is noticeably undercooked (“Exquisitely crunchy!” she says). She’ll strap herself into a nightmarish-looking theme park ride no fewer than three times in ultra-rapid succession, then vomit discreetly off-screen before returning to report on what a blast it was. But as good as Yoko is at turning on the charm, she becomes a noticeably different person when the cameras aren’t rolling: sometimes distracted and inattentive, sometimes overwhelmed by her strange new environs. ....

Toshkent Shahri , Yoko Atsuko Maeda , Adiz Radjabov , Yoshioka Shota Sometani , Kiyoshi Kurosawa , Atsuko Maeda , Shota Sometani , Fall Uzbek , World War , யோகோ ஆட்சுக்கோ மாயீட , ஆட்சுக்கோ மாயீட , அனைத்தும் யூஸ்பிக் , உலகம் போர் ,

Moze Halperin on Kiyoshi Kurosawa's To the Ends of the Earth (2020)


To the Ends of the Earth (2020)
Kiyoshi Kurosawa,
To the Ends of the Earth, 2019, HD video, color, sound, 120 minutes. Yoko (Atsuko Maeda).
JAPAN AND UZBEKISTAN have a friends-with-benefits relationship, one that sees the world’s third-largest economy and its sogo shosha investing in and importing the formerly-Soviet Central Asian nation’s resources some radioactive (uranium), some laxative (dried fruit) and bolstering a miscellany of Uzbek projects, from industrial modernization to Covid-19 response to tourism. Such a transactional bond doesn’t exactly sound like the stuff from which movies are made. 
Yet Uzbekistan’s Ministry of Tourism, its national cinema agency Uzbekkino, and a handful of Japanese production companies teamed up for a film commission celebrating “the twenty-fifth anniversary of diplomatic relations” between the two countries and the seventieth anniversary of  the Alexey Shchusev–designed, partly Japanese POW–constructed Navoi ....

Toshkent Shahri , France General , Belgorodskaya Oblast , Yoko Atsuko Maeda , Akiko Ashizawa , Samin Nosrat , Alexey Shchusev , Atsuko Maeda , Kiyoshi Kurosawa , Temur Adiz Rajabov , Hotel Uzbekistan , Ministry Of Tourism , Uzbekistan Ministry Of Tourism , Soviet Central Asian , Navoi Theater , Silver Lion , Venice Film Festival , Bright Future , Tokyo Sonata , Lake Aydar , Adiz Rajabov , பிரான்ஸ் ஜநரல் , யோகோ ஆட்சுக்கோ மாயீட , ஆட்சுக்கோ மாயீட , ஹோட்டல் உஸ்பெகிஸ்தான் , அமைச்சகம் ஆஃப் சுற்றுலா ,

To the Ends of the Earth Is Full of Anxiety, Tension and Moments of Beauty


To the Ends of the Earth Is Full of Anxiety, Tension and Moments of Beauty
The latest from Japanese director Kiyoshi Kurosawa hits the Belcourt’s virtual cinema this week
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Few experiences are as dreadful, as internally discomforting, as finding yourself lost and alone in an unfamiliar country where you only speak a crumb of the local tongue. Though it’s not a horror film in the slightest,
To the Ends of the Earth is an immersion in that specific experience of horror. It’s fitting, then, that director Kiyoshi Kurosawa (no relation to Akira) is mostly known outside of Japan for horror films like ....

Toshkent Shahri , Yoko Atsuko Maeda , Kiyoshi Kurosawa , Tokyo Sonata , Navoi Theater , World War , Atsuko Maeda , யோகோ ஆட்சுக்கோ மாயீட , டோக்கியோ சொனாட்டா , உலகம் போர் , ஆட்சுக்கோ மாயீட ,