robinson, apparently tired, punched fairly well and rocked jake right to his heels. come on, ray. a director and actor finds a story at the right time in the right place. and out comes this amazing combination of cinematic virility and absolute fear. it s like watching an animal. raging bull is a great title. the film fulfills the promise. the reality of the boxing and the great slow motion, all of the black and white gore, the violence of the flush bulbs going off. when he designed the movie, marty purely, he didn t pickup a clutch on the film. there s no clutch. hey, ray, you never went down, ray. you never got me down, ray. it s a boxing movie for people who don t like boxing. because it s really not about that. it s about this man who was based on a real person who is really at war with himself. come on. harder. harder. i didn t really understand boxing, but the character was interesting. he was just so contraire, as they say. he was
come on! come on, come on, what are you staring for? come on! robinson apparently tired, punched with a fairly well and rocked jake lamotta right to his heels. come on, ray. a director and actor find a story at the right time and the right place. and out comes this amazing combination of cinematic virility and absolute fear. it s like watching an animal. i think raging bull is a great title and the film fulfills the promise. the reality of the boxing and the great slow motion, all the black and white gore. the violence of the flashbulbs going off. when he designed the movie, marty purposefully, he didn t put a clutch on the film. there s no clutch. hey, ray, never went down, man. you never got me down, ray. raging bull is a boxing movie for people who don t like boxing because it s really not about that. it s about this man, jake lamotta, who was based on a real person, who s really at war with himself. come on. harder. harder. i didn t really unde
robinson, apparently tired, punched fairly well and rocked jake right to his heels. come on, ray. a director and actor finds a story at the right time and the right place. and out comes this amazing combination of cinematic virility and absolute fear. it s like watching an animal. i think raging bull is a great title. and the film fulfills the promise. the reality of the boxing and the great slow motion, all of the black-and-white gore, the violence of the flash bulbs going off. when he designed the movie, marty, he purposefully didn t put a clutch on the film. there s no clutch. hey, ray, you never went down, ray. you never got me down, ray. raging bull is a boxing movie for people who don t like boxing movies, but it s really not about that. it s about this man, jake, based on a real person, who s really at war with himself. come on. harder. harder. i didn t really understand boxing, but the character was interesting. he was just so contr
Amazing trick of making dystopia look beautiful in a terrifying way. you know, you watch the road warrior and thinking, like, i d love to go there. i think i would die within five minutes. it s the idea of this one man who regains his humanity when he loses everything. but then there s the filmmaking craft. to see those stunts just play out in long shots, just absolutely incredible and visceral. it s so in your face. it s almost like a heavy metal rock n roll movie. brazil is one of these futures that seem all too likely brazil is one of these futures that seem all too likely to come to pass. it s a future where things don t work, where the bureaucracy is ossified. it s a future that feels like if things don t get better, we re gonna end up there.
Even though the 1980s is often viewed as sort of an upbeat era, it s the period when the united states came out of the doldrums of the 70s. there was still this sort of underlying fear that that could all collapse at some point. you see that playing out in this post-apocalyptic subgenre of action films. two days ago i saw a vehicle that would haul that tanker. you want to get out of here? you talk to me. george miller s movies do an amazing trick of making dystopia look beautiful in a terrifying way. you know, you watch the road warrior and thinking, like, i d love to go there. i think i would die within five minutes. it s the idea of this one man who regains his humanity when he loses everything. but then there s the filmmaking craft. to see those stunts just play out in long shots, just absolutely incredible and