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Sure tayaylor swift t will be sg fofor copyrighght infringegem. peteter andersonon: we ve got two exextremes, whwhere it s identicacal copying g of this exact nunumber of rerepetitio, anand we ve gogot the plaiaints work whehere there s s no repetitition at allll. but i i think no r repetitiont all l means it s s not protete. i think k there s anan argumet with thihis number of repetitit, it i is protecteted. intervrviewer 2: t thank you. peter ananderson: ththank you,u, your hononor. maririna v. bogogorad: i thik thatat was also o a point tht inflfluenced thehe ninth cicircuit sayiying, yeyes, this cacase should d pr. [m[music playiying] julilian wright:t: the thing that s stood out t to me was me than jusust the wordrds. there e were quitete a few structuralal things ththat i w within thehe compositition thatat s in bothth songs. they re e both used d as the ho. a hohook is ththat s the c c. that s thehe part of t the sog that eveverybody rememembers. lilisa respersrs france: i n th ....
We werere saying n no, it s s not the m music. we r re talking g about thee actualal lyrics inin the chor. shshirley halplperin: it seemed a at the timeme that it t was too cocommon a ph. sosort of tryiying to tradadek or to copypyright whahat s u everyonene uses it.. at the timime, that wawas a vevery common n thing to s s. likeke, hate thehe playerer, not the e game. dometi p pong: so ththere s ala cultltural compoponent here e e a lot t of folks feel likike artists-s mainststream artisists likeke a taylor r swift has ththe agency t to take a little b bit of blacack cultu, use it a at her dispsposal, rex it, , and wash h her hands o t and d say, i dididn t know this is s where it c came fro. anand it mightht not eveven be happppening purprposefully o or maliciouo, bubut it does s happen. cacari champioion: in the e ey 90s and ininto the 200000 s, u had d to be edgygy. and yoyou had to b be comfortae inin your blacackness. and you u had to be e comfortae in s singing in n colloquia ....
And used i it in theirir own chororus, i m sure tayaylor swift t will be sg fofor copyrighght infringegem. peteter andersonon: we ve got two exextremes, whwhere it s identicacal copying g of this exact nunumber of rerepetitio, anand we ve gogot the plaiaints work whehere there s s no repetitition at allll. but i i think no r repetitiont all l means it s s not protete. i think k there s anan argumet with thihis number o of repetit, it i is protecteted. intervrviewer 2: t thank you. peter ananderson: ththank you,u, your hononor. maririna v. bogogorad: i thik thatat was also o a point tht inflfluenced thehe ninth cicircuit sayiying, yeyes, this cacase should d pr. [m[music playiying] julilian wright:t: the thing that s stood out t to me was me than jusust the wordrds. there e were quitete a few structuralal things ththat i w within thehe compositition thatat s in bothth songs. they re e both used d as the ho. a hohook is ththat s the c c. that s thehe part of t the sog that eveverybody r ....