This year’s Morgenland Festival opened with the premiere of Kinan Azmeh’s musical theatre piece, “Songs for Days to Come”, based on fifteen poems by contemporary Syrian poets. Marian Brehmer reports for Qantara.de
No cultural institution is currently more intensively engaged in helping refugees than the German theatre scene. Yet it′s still rare to find refugees taking the initiative as independent players. The Silent University aims to change all that. By Dorothea Marcus
This year’s Morgenland Festival opened with the premiere of Kinan Azmeh’s musical theatre piece, “Songs for Days to Come”, based on fifteen poems by contemporary Syrian poets. Marian Brehmer reports for Qantara.de