The god father was made in a very classical, almost shakespearean style. It was going to be about succession. Like a king who had three sons, and none of the sons had all his talents. [ speaking nonenglish ] michael could be ruthless when he had to be ruthless, but he could be friendly. Nord, he was a complex hero. In other words, he was a complex hero. Were here in the napa valley on a rainy day, to interview Francis Ford Coppola. Now, hes one of the greatest Movie Directors of alltime, without any question. If you google the best movies of all time, the greatest movies of all time, the godfather is number un, number one, usually. But The Godfather 2 is often on that list of top ten and so is Apocalypse Now. So of the 10, 15 greatest movies of alltime, this man has made three of them. I am really interested in talking to him for another reason. When i came to america first, i was in college and i took a class, classics of american cinema. It was in some ways helpful for me, because it
the god father was made in a very classical, almost shakespearean style. it was going to be about succession. like a king who had three sons, and none of the sons had all his talents. [ speaking non-english ] michael could be ruthless when he had to be ruthless, but he could be friendly. nord, he was a complex hero. in other words, he was a complex hero. we re here in the napa valley on a rainy day, to interview francis ford coppola. now, he s one of the greatest movie directors of all-time, without any question. if you google the best movies of all time, the greatest movies of all time, the godfather is number un, number one, usually. but the godfather 2 is often on that list of top ten and so is apocalypse now. so of the 10, 15 greatest movies of all-time, this man has made three of them. i am really interested in talking to him for another reason. when i came to america first, i was in college and i took a class, classics of american cinema. it was in so
he had to be ruthless, but he could be friendly. in other words, he was a complex hero. we re here in the nappa vally on a rainy day to interview francis ford coppola. now, he s one of greatest movie directors of all-time without any question. if you google the best movies of all-time, the greatest movies of all-time, the godfather is number one usually. i m going to make him an offer he can t refuse. but the godfather 2 is often on that list of top ten, and so is apocalypse now. so of the 10, 15 greatest movies of all-time this man has made three of them. i m really interested in talking to him for another reason. when i came to america first i was in college and i took a class, classics of american cinema. it was in some ways helpful for me because it gave me a sense of the culture and the country that i was now living in. and i wrote my final paper on the godfather, actually on the opening four or five minutes of the godfather, the first scene, and i had
brando was so ingenious of how he approached every scene. but i could do things, which i did like in the first scene in the godfather where i just took a cat off the floor, it was just a studio cat. it wasn t a prop cat. and i just put it in his hand. he didn t say to me, what do you want me to do with the cat? he just did it. and literally no matter what happened, he would incorporate it. he was that kind of an actor. h was, i mean he is the genius, that everyone do you think he was the best actor you ever worked with? yeah. yeah, i mean, because he was so unique. i used to joke that if a herd of buffalo ran through the room, he would say, oh look at the