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Transcripts For CNN Extraordinary with Fareed Zakaria 20240706

The god father was made in a very classical, almost shakespearean style. It was going to be about succession. Like a king who had three sons, and none of the sons had all his talents. [ speaking nonenglish ] michael could be ruthless when he had to be ruthless, but he could be friendly. Nord, he was a complex hero. In other words, he was a complex hero. Were here in the napa valley on a rainy day, to interview Francis Ford Coppola. Now, hes one of the greatest Movie Directors of alltime, without any question. If you google the best movies of all time, the greatest movies of all time, the godfather is number un, number one, usually. But The Godfather 2 is often on that list of top ten and so is Apocalypse Now. So of the 10, 15 greatest movies of alltime, this ....

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Transcripts For CNN Extraordinary with Fareed Zakaria 20240706



the god father was made in a very classical, almost shakespearean style. it was going to be about succession. like a king who had three sons, and none of the sons had all his talents. [ speaking non-english ] michael could be ruthless when he had to be ruthless, but he could be friendly. nord, he was a complex hero. in other words, he was a complex hero. we re here in the napa valley on a rainy day, to interview francis ford coppola. now, he s one of the greatest movie directors of all-time, without any question. if you google the best movies of all time, the greatest movies of all time, the godfather is number un, number one, usually. but the godfather 2 is often on that list of top ten and so is apocalypse now. so of the 10, 15 greatest movies of all-time, this man has made three of them. i am really interested in talking to him for another reason. when i came to america first, i was in college and i took a class, classics of american cinema. it was ....

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Transcripts For CNN Extraordinary with Fareed Zakaria 20240707



he had to be ruthless, but he could be friendly. in other words, he was a complex hero. we re here in the nappa vally on a rainy day to interview francis ford coppola. now, he s one of greatest movie directors of all-time without any question. if you google the best movies of all-time, the greatest movies of all-time, the godfather is number one usually. i m going to make him an offer he can t refuse. but the godfather 2 is often on that list of top ten, and so is apocalypse now. so of the 10, 15 greatest movies of all-time this man has made three of them. i m really interested in talking to him for another reason. when i came to america first i was in college and i took a class, classics of american cinema. it was in some ways helpful for me because it gave me a sense of the culture and the country that i was now living in. and i wrote my final paper on the godfather, actually on the opening four or five minutes of the godfather, the first scene, and ....

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Transcripts for CNN Extraordinary with Fareed Zakaria 20240604 15:07:00

Dissecting what was in the thing. so i thought i would ask myself four or five questions about what i was going to cover. what do you want to say in the briefest few words as to why you re doing it? as a director, i knew if i got that, maybe i didn t get great imagery or tone, but if you got that, you got it. so that horse s head scene, in the book, the horse s head is not in the bed, is it? here s the book, no. what made you put it on the bed? i just thought it would be more interesting if he felt something in his bed and he opened the shoot and there was blood. always you get more shock if you can get the audience to think it s called misdirection. so if he saw blood, maybe the ....

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Transcripts for CNN Extraordinary with Fareed Zakaria 20240604 02:06:00

And sculpt a mauvy by first knowing what s in them. and before i know how to do it, i was going to begin by dissecting what was in the thing. and what i did was i thought i would ask myself four or five questions about what i was going to encounter. what do you want to say in the briefest few words as to why you re doing it. as a director i knew if i got that, maybe i didn t get great imagery and tone, maybe i didn t get this. but if you got that, you got it. that horse s head scene, in the book the horse s head is not in the bed, is it? here s the book. it s not in the it s sort of out there. what made you put it on the bed? i just thought it would be more interesting if he felt something in his bed and he opened the sheet and there was blood. always you get more shock if you can get the audience to think ....

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