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CUE Art Foundation presents a solo exhibition by John Feodorov


CUE Art Foundation presents a solo exhibition by John Feodorov
Installation view of John Feodorov s exhibition at CUE Art Foundation. Photo: Sunny Leerasanthanah.
NEW YORK, NY
.-CUE Art Foundation is presenting Assimilations, a solo exhibition by John Feodorov, curated by Ruba Katrib. Drawing upon his experience growing up half-Navajo (Diné) and half-white in the suburbs of Los Angeles, Feodorov’s multimedia installation, paintings, and prints explore how identity and memory are shaped amidst the violent pressures of cultural assimilation and the legacy of settler colonialism in the United States.
In the front gallery, Feodorov’s installation, How I Learned To Be A Christ-jun, displays Pentecostal and Jehovah’s Witness hymn books and pages along with a New Testament Bible translated into the Navajo language in an altar-like space. Manipulated recordings play a Christian congregation singing hymns combined with looped audio of the artist’s mother and grandfa ....

New York , United States , City Of Seattle , Simone Fattal , Kelly Akashi , Candice Hopkins , Paul Amiel , Carissa Rodriguez , Teresa Burga , Fernando Palma Rodr , Peter Eleey , Casa Tomada , Los Angeles , Charlotte Prodger , Erika Verzutti , Aaron Rosen , John Feodorov , Jumana Manna , Araya Rasdjarmrearnsook , Aki Sasamoto , Lucyr Lippard , Julia Phillips , Nancy Marie Mithlo , Ruba Katrib , Luis Blondet , Lawrence Abu Hamdan ,

Barbara Thumm Gallery and Alexander Gray Associates announce the passing of Teresa Burga


Barbara Thumm Gallery and Alexander Gray Associates announce the passing of Teresa Burga
Teresa Burga portrait. Teresa Burga at Galerie Barbara Thumm, 2012. Photo: Nici Wegener. Courtesy Galerie Barbara Thumm.
BERLIN
.- Teresa Burga was an internationally acclaimed artist of feminist conceptual art , which she always negotiated as a concrete space of action in the context of Peru s colonial heritage and the political reality surrounding it, and whose structures of violence and power, conventions and ethnic attributions she deconstructed in her work. This also means that her work is not to be read in the context of the formal-aesthetic exercises of Western conceptual art, but rather as an analysis of the administrative, bureaucratic, political powers inherent in colonialism, which she radically brushes against the grain. Her work gains its topicality by anticipating contemporary discourses on the decolonization of art as well as art institutions, conveying them as h ....

New York , United States , Region Flamande , Brooklyn Museum Of Art , Los Angeles , Galerie Barbara Thumm , Miguel Lopez , Arte Nuevo , Teresa Burga , Arte Latinoamericano , Peruano Norteamericano , Venice Biennale , Emilio Tarazone , Okwui Enwezor , Hans Christ , Dorota Biczel , Museum Of Contemporaray Art , Malba Museum In Buenos Aires , Hammer Museum Los Angeles , Migros Museum , Museum Ludwig , Sculpture Centre , Alexander Gray Associates , Art Institute Of Chicago , Peruvian Woman , Pop Art ,