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Cura Continua II | The Mercosul Bienal at the Crossroads of COVID-19


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ROSANA PAULINO | Obra da série BASTIDORES. Imagem transferida sobre tecido, linha de costura e bastidor de madeira. 30cm diâmetro. 1997.
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Cura Continua: Art, Curating, and Practices of Radical Care II
A series of dialogues co-sponsored by the Program in Latin American Studies and the Department of Art & Archaeology
The word “curate” commonly describes the professional management, selection, and presentation of works of art. But the term’s etymology lies in the Latin
curare, meaning
to heal,
to cure. This series of conversations underscores the critical significance of these connotations within contemporary artistic practices in Latin America and its diasporas. To curate, in this sense, is not simply to care for works of art. It is to care for relations between artists, institutions, and histories; to attend to discontinuities in these relations; to weave and sustain networks; to navigate instit ....

United States , Buenos Aires , Distrito Federal , Fabiana Lopes , Ivan Lopez Munuera , Dorota Biczel , Igor Sim , Andrea Giunta , Department Of Art Archaeology , Princeton University , School Of Architecture , University Of Buenos Aires , Program In Latin American , York University , University Of Rio Grande Do Sul , Cura Continua , Radical Care , Latin American Studies , Latin America , Latin American , Chief Curator , Associate Curator , Art Institute , New York , State University , Rio Grande ,

Barbara Thumm Gallery and Alexander Gray Associates announce the passing of Teresa Burga


Barbara Thumm Gallery and Alexander Gray Associates announce the passing of Teresa Burga
Teresa Burga portrait. Teresa Burga at Galerie Barbara Thumm, 2012. Photo: Nici Wegener. Courtesy Galerie Barbara Thumm.
BERLIN
.- Teresa Burga was an internationally acclaimed artist of feminist conceptual art , which she always negotiated as a concrete space of action in the context of Peru s colonial heritage and the political reality surrounding it, and whose structures of violence and power, conventions and ethnic attributions she deconstructed in her work. This also means that her work is not to be read in the context of the formal-aesthetic exercises of Western conceptual art, but rather as an analysis of the administrative, bureaucratic, political powers inherent in colonialism, which she radically brushes against the grain. Her work gains its topicality by anticipating contemporary discourses on the decolonization of art as well as art institutions, conveying them as h ....

New York , United States , Region Flamande , Brooklyn Museum Of Art , Los Angeles , Galerie Barbara Thumm , Miguel Lopez , Arte Nuevo , Teresa Burga , Arte Latinoamericano , Peruano Norteamericano , Venice Biennale , Emilio Tarazone , Okwui Enwezor , Hans Christ , Dorota Biczel , Museum Of Contemporaray Art , Malba Museum In Buenos Aires , Hammer Museum Los Angeles , Migros Museum , Museum Ludwig , Sculpture Centre , Alexander Gray Associates , Art Institute Of Chicago , Peruvian Woman , Pop Art ,