The jazz world is heralding A Love Supreme: Live in Seattle, a document of John Coltrane performing his masterpiece in 1965. But the story is bigger than Trane: It involves his friend who recorded it, Joe Brazil and a dogged archivist trying to bring his story into the light.
Oh and Sorey aren t mere collaborators or accompanists; they re educators and composers in their own rights. Of Sorey s drumming, Iyer cites a life-sustaining kind of magic. And of Oh s bass playing, Her awareness of and relation to pulse, it s like micro-detail, he says. Those qualities and more can be found on
Uneasy, the trio s first studio record, which drops April 9 on ECM Records. The album is a mix of topical material Children of Flint with Iyer originals ( Combat Breathing ) and standards ( Night and Day ) from deep in their wheelhouse.
Most importantly, Iyer considers the pair to be his musical family; together, they re his stronghold through a racially and sociopolitically turbulent time. And with the tragic Atlanta spa shootings in the rearview, the cover where the three musicians names float around an out-of-focus Statue of Liberty is a side-eyed glance at what it means to be an American.