His angle was The End. A rollicking disquisition on Minimalism’s debt to science fiction, B-movies, and the second law of thermodynamics, Robert Smithson’s Artforum debut, “Entropy and the New Monuments,” linked the so-called primary structures of artists such as Donald Judd, Dan Flavin, and Sol Dewitt to entropy, that universal force of decay, which erodes everything into an all-engulfing sameness. “Instead of causing us to remember the past like the old monuments, the new monuments seem to cause us to forget the future,” Smithson wrote. Cynical, sure, but his essay glimmers with strange
Between June 25th and August 6th, 2022, NYC s The Hole will be presenting the 5th iteration of the Universes group exhibitions conceptualized and fost.