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The Pulitzer Prize-winning novelist Colson Whitehead resurrects 1970s New York City in the second volume in his trilogy about a small-time criminal. ....
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On paper, Netflix’s The Woman in the Window had all the components of a total tour de force. The intimate psychological thriller stars the perpetually Oscar-snubbed Amy Adams, is directed by Joe Wright ( Atonement, Hanna, Darkest Hour), with a screenplay written by the brilliant Tracy Letts, based on a mega-hit novel. In its execution, this movie is an absolute mess. With a movie like this, it can sometimes be hard to know where things really broke down. That’s not the case here. The Woman in the Window feels less like a full film than a composite of studio notes an impression backed up by the numerous reports of extensive reshoots and massive changes made to better please test audiences. ....
Look a little deeper at just about any decent haunted-house movie, and you’ll almost always see a story about people who feel trapped by some larger aspect of their lives. Horror-movie protagonists dealing with an evil doll can at least try to get rid of it; slasher victims can at least try to run away from the danger. And people being threatened by something they don’t understand, whether it’s a curse or a creature, can always investigate and try to come to terms with the unknown. But a house represents a commitment, a sunk cost that’s extremely difficult to walk away from. In a movie like Netflix’s baffling new horror-drama ....