record. coming into the poll vault final with a world leading high and the world indoor champion but felt a little short by her standards and had to settle for the bronze. the gold was one by the switzerland woman the only athlete to clear four metres 78. telling us after she was little disappointed after quite letting several literally setting the bar high for herself. dreaming of herfirst olympics and can t wait to get there. the limbs 400 metre final was a thrilling had to head down the back street between the poll and team and the irish team. it was so close, just clearing, the bullish team, with the facts aside from anyone in the world this year. and to the irish woman set a new personal bests coming second. day five the penultimate day with the women s 200 metre final with the british fastest qualifier. the women s 10,000 metre and the the women s10,000 metre and the women and men s 400 metre hurdles. that means that this crowd will get a chance to see a bona fide st
photo of their mothers. we want people to walk by and be grabbed by that emotion. we were talking about expense earlier that s not very expensive. it is time, though, you do have to roll up your sleeves. harry, you re an expert with this. you worked with small brands. you worked with big stores. for somebody who is not an expert, how can they make an eye-popping window. i think in the piece, she talked about the basics of visual, whether they re in a big saks fifth avenue or a small store. doesn t matter. the bakes are there. it s focusing on placement, great lighting. something like having a tag hanging cheapens a product. make sure you got great position. generally at eye level, you re not necessarily looking up or down for product but you re sort of seeing it as you walk by for focus. and we talk about color and the things that we do and about the use of space. sometimes, it is okay to leave space open to give that product more feature and more intense presence in the spac
we are putting that into our window because we want people to walk by and be grabbed by that รง emotion. that s a good idea. we were talking about expense earlier, that s not very expensive. it is a lot of time. you have to roll up your sleeves. right. harry, for somebody who, you re an expert at this, you know what to do, you have worked with small brands and big stores, for somebody not an expert, how can they make an eye-popping window. in the piece you talked about the basics of the visual and whether they are in a big saks fifth avenue or small specialty store, it doesn t matter because the basics are there. it is focusing on placement, great lighting and focusing on little details, something like having a tag hanging cheapens a product. so make sure you have great position, generally at eye level, so when walking by you are not looking up or down for product but sort of seeing it walking by as the main focus. look at all, we talk a lot about color and the use of space. an
grabbed by that emotion. that s a good idea. we were talking about expense earlier. that s not very expensive. it say the lo of time, though. you have to roll up your sleeves. harry, for somebody who you re an expert at this. you know what to do. for somebody who is not an expert, how can they macon aeye popping window. in the piece she talked about the basics of visual and whether they re in a big saks fifth avenue or a small specialty stors, doesn t matter, the basics are there. focusing on great placement, lighting and details, something like having a tag hanging cheapens a product. have great positioning at eye level. you don t have to necessarily look up o or down for product. we talked a lot about color and the things we do and the use of space. sometimes it is okay to leave space open to give that problem more feature and intense presence in the space. do you think that windows should be used to sell a product or sell an idea?