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CHENNAI: It is rare to find an Indian-Nigerian collaboration in cinema, and “Namaste Wahala,” now playing on Netflix, scores points for its novelty factor. But beyond this, the film has little to offer, and it is such a disappointment. The two countries have been in a neck-and-neck race, producing close to 2000 titles each year, and I expected some kind of quality, given their long experience in moviemaking. But director Hamisha Daryani Ahuja, a hotelier-turned-filmmaker living in Lagos, does not go beyond a cliched love story, and her passion for watching television serials (presumably Indian) leaves its mark all over the narrative. Ahuja falls back on lazy writing, and the result is a plot riddled with coincidences a ploy adopted ever so often by Indian films to push the story forward.