My Space looks behind the scenes in the workshop of Brazilian luthier
Saulo Dantas-Barreto; and in
Making Matters Nelly Poidevin explains her new method of measuring and recording the characteristics of bows.
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Read about Francesca Dego’s experiences of playing ‘Il Cannone’, while listening to several audio clips from her latest album, including pieces by its former owner Paganini
We pay respects to Ivry Gitlis with extra photos of the great violinist, including him with Ginette Neveu and Jules Boucherit among others
COPY: The Strad March 2021 issue is out now thestrad.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from thestrad.com Daily Mail and Mail on Sunday newspapers.
My Space looks behind the scenes in the workshop of Angers-based luthier
Marcus Klimke; and in
Making Matters Ulf Kloo explains how to adjust the back thickness on an instrument that’s already been set up.
We also bring you news of the latest products and auctions, plus our regular analysis and opinion columns, and comprehensive reviews of concerts, CDs and books. Simply go to the
current issue to explore the full content listing.
View more photos from the Royal Danish Opera’s production of The Magic Flute, conducted by Nikolaj Szeps-Znaider
More from the workshop of Angers-based luthier Marcus Klimke in My Space
2020-12-15T19:47:00+00:00
French cellist Jean-Guihen Queyras discusses recording Beethoven’s ‘Triple’ Concerto during the pandemic, and the value of working with his musical ‘family’
JEAN-GUIHEN QUEYRAS: The French cellist talks to Pauline Harding about socially distanced concerts, contemporary composers and his recording of Beethoven’s ‘Triple’ Concerto
CT SCANNING THE ’MESSIAH’: In 2016 Stradivari’s best-known violin underwent a non-invasive examination. Francesco Piasentini and Gregg Alf reveal the findings, particularly in the neck area
GEORGE NEIKRUG: Students of the renowned US cello tutor, who died in 2019 at the age of 100, recount their fondest memories of his teaching style to Benjamin Whitcomb