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What can we learn from CT-scanning the Messiah ? | Focus

Source: ‘Messiah’ photo Tucker Densley/Ashmolean Museum. Ct scan Francesco Piasentini @ Tec Eurolab The following is an extract from an article in The Strad’s January 2021 issue in which we examine the findings of an extensive project to CT-scan the Stradivari’s iconic 1716 violin, the ‘Messiah’.  To read in full, click here to subscribe and login.  The date was Monday 5 September 2016 and Francesco Piasentini, a violin maker with a PhD in metallurgical engineering, was waiting at TEC Eurolab, a leading company in non-destructive testing near Modena, for the return of the ‘Messiah’. At 11am Gregg Alf, a fellow violin maker and expert from Cremona’s Museo del Violino (MdV), would be delivering one of the rarest violins on earth. Accompanied by Fausto Cacciatori and Colin Harrison, curators from the MdV and Oxford’s Ashmolean Museum respectively, Antonio Stradivari’s iconic 1716 violin was returning to the city of its birth in celebration of its 300th a

The Strad January 2021 issue is out now

2020-12-15T19:47:00+00:00 French cellist Jean-Guihen Queyras discusses recording Beethoven’s ‘Triple’ Concerto during the pandemic, and the value of working with his musical ‘family’ JEAN-GUIHEN QUEYRAS: The French cellist talks to Pauline Harding about socially distanced concerts, contemporary composers and his recording of Beethoven’s ‘Triple’ Concerto CT SCANNING THE ’MESSIAH’: In 2016 Stradivari’s best-known violin underwent a non-invasive examination. Francesco Piasentini and Gregg Alf reveal the findings, particularly in the neck area GEORGE NEIKRUG: Students of the renowned US cello tutor, who died in 2019 at the age of 100, recount their fondest memories of his teaching style to Benjamin Whitcomb

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