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Direct, no. tom: can we just put a little piece of green behind you? anthony: no. erik: you were a director on a parts unknown episode because you were a directing everything around tony, but you were never directing tony. tom: so production vehicles should not park in front of the restaurants. let s let the motorcycles park in front of the restaurant. steed: did you want to be able to tell tony, like, could you just could you get to this point please because, you know, we really do want to get to this point. josh: it was all freefom. true documentary filmmaking. toby: i would have about 15-30 seconds to kind of go over the main points. jared: just don t say action. don t say cut. anthony: they actually said action to me on the last shoot. they were like action. then we re like ....
steed: so, the miami episode, i got one note from tony. he s like the great beauty, watch it. mo: the party scene in that movie is absolutely extraordinary and massive in scale. steed: we have a certain amount of money to make the show and that s like a high-high production value, so immediately the mind s like how are we gonna do this? mo: there s a scene with a woman dancing in the great beauty and so we needed to kind of articulate this idea. steed: mo, the burliest of our cameramen is like directing this dancer who s dancing in a window. you know, she s like beautiful, long hair and she s like doing this dance and it s not quite as exaggerated as mo wants. ....
Feel like they would know him. todd: he was this curmudgeonly funny dude. benny: he said something like if you can t smoke in a recording studio, what the [ bleep ] is this world come to? erik: candid. raw. steed: difficult. funny. brilliant. sandy: he was honest, brutally at times. jesse: is he nice? he s not nice. but, that s okay. toby: even though you felt like he maybe liked you and like what you were doing, you were very, very, very rarely ever gonna hear it. nick: did tony say thank you? for what? mo: i remember an even in lyon. it was tony, daniel boulad, and bill buford. we had gone in and pre-lit everything to seamlessly move from place-to-place. toby: and tony notices the light that is on over their head, that is clearly not a restaurant light, but one of our lights. anthony: oh, nice. they ve lit already. toby: and bill s like man, your crew s like pretty awesome. bill: you have an amazing team. ....
sandy: it s hard to say because it certainly wasn t in my mind a food show. lydia: yes, sure we ll sit a table and we ll have a meal. but, really it s about culture, politics. mustafa: comedy, action move. lydia: geography, history. ruffino: it wasn t a travel show. mustafa: adventure. horror. [ screaming ] todd: you know, i don t know, it s hard for me to say what parts unknown was because i was so immersed in it, that it was i mean, it was definitely more than a job. it was like such an incredible experience. tom: what is parts unknown is actually a really easy question because it was tony. anthony: oh, yeah. that is can i say tumescent on cnn? yeah, i m pretty sure i can. erik: i m often asked the question what was tony like? i feel like it s the first question everyone asks. steed: what you saw onscreen, it was and is that man. helen: that was the magic of tony i think is that people who never even met him, they would ....
Congo river. and now, for better or worse, i get that chance. steed: there s moments in this series where watching tony truly experiencing something that s like life-changing. lydia: it was an extremely selfish show. it was very selfish. he was really out to please himself. and in doing so, i think he pleased a big audience of people. anthony: lately this tv show has become an impediment to the smooth operation of this mission. we might have to terminate your command. ....